{"id":1147,"date":"2023-03-19T07:24:18","date_gmt":"2023-03-19T07:24:18","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=1147"},"modified":"2023-03-28T18:32:22","modified_gmt":"2023-03-28T18:32:22","slug":"svetska-panorama","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/svetska-panorama\/","title":{"rendered":"INTERNATIONAL PANORAMA"},"content":{"rendered":"
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Na brodu Adaman \/ Sur l\u2019Adamant \/ On the Adamant<\/span> \/ 28.3. 19h<\/span><\/h3>\n \n
\n \"\"\n <\/div>\n \n \n
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2022. \/ 109\u2019<\/p>\n

Francuska, Japan<\/p>\n

Dokumentarni<\/p>\n

Re\u017eija<\/p>\n

Nicolas Philibert<\/span><\/p>\n

Produkcija<\/p>\n

C\u00e9line Loiseau, Gilles Sacuto, Mil\u00e9na Poylo<\/span><\/p>\n

Koprodukcija<\/p>\n

Nario Hatana<\/span><\/p>\n

Produkcijska ku\u0107a<\/p>\n

TS Productions, Paris<\/span><\/p>\n

Koprodukcijska ku\u0107a<\/p>\n

Longride, Tokio<\/span><\/p>\n

\u201eAdaman\u201c je jedinstvena dnevna bolnica: plove\u0107i objekat. Brod je sme\u0161ten na Seni u srcu Pariza, prima odrasle osobe koje pate od mentalnih poremec\u0301aja, pru\u017ea im negu i poma\u017ee im da se orijenti\u0161u u vremenu i prostoru, da se oporave ili odr\u017ee vedar duh. Tim na \u010delu ustanove spada u one koji poku\u0161avaju da se maksimalno odupru propadanju i dehumanizaciji psihijatrije. Film nas poziva da se ukrcamo na brod i upoznamo pacijente i negovatelje koji ga svakodnevno odr\u017eavaju u \u017eivotu.<\/p>\n

Regionalna premijera <\/strong><\/p>\n<\/div>\n \n \n <\/div>\n

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\n \"\"\n \n \n <\/div>\n \n\n
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Nikola Filiber <\/strong><\/p>\n

Ro\u0111en u Nansiju u Francuskoj, 1951. Studirao filozofiju i zapo\u010deo filmsku karijeru 1970-ih kao pomoc\u0301nik re\u017eisera Renea Alija, Alena Tanera i Kloda Gorete. Od 1985. do \u00a01987. re\u017eirao je alpinisti\u010dke i ostale sportske filmove za televiziju. Nakon nekoliko kratkih filmova, re\u017eirao je svoj debitantski dugometra\u017eni dokumentarni film \u201eGrad Luvr\u201c 1990. Njegov portret orangutana Nenet, prikazan je na Berlinale Forumu 2010. Od 2002. njegovi filmovi su prikazani na vi\u0161e od sto retrospektiva i revija \u0161irom sveta.<\/p>\n

Za film \u201eNa brodu Adaman\u201c osvojio je nagradu \u201eZlatni medved\u201c na Me\u0111unarodnom filmskom festivalu u Berlinu 2023. godine.<\/p>\n<\/div>\n <\/div>\n <\/div>\n \n <\/div>\n

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Izbor filmova: Krakov Film Festival Sales & Promotion<\/span> \/ 30.3. 17h<\/span><\/h3>\n \n
\n \"\"\n <\/div>\n \n \n
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KFF Sales & Promotion<\/span>, koji je pokrenula Krakovska filmska fondacija – KFF, bavi se promocijom poljskih dokumentarnih, kratkih i animiranih filmove u inostranstvu kroz tri projekta: Polish Docs, Polish Shorts<\/span> and Polish Animations<\/span>. To je jedina agencija koja ima sveobuhvatan pristup promociji poljskih filmova.<\/p>\n

KFF Sales & Promotion<\/span> nudi filmove filmskim festivalima i kulturnim manifestacijama \u0161irom sveta, organizuje specijalne projekcije poljskih filmova, podr\u017eava poljske filmske stvaraoce i producente u razvoju i promociji kako njihovih projekata tako i ve\u0107 gotovih filmova. Svake godine se katalog filmova koje predstavlja KFF Sales & Promotion dopunjuje sa oko 70 novih naslova.<\/p>\n

KFF Sales & Promotion<\/span> je tako\u0111e agencija za prodaju poljskih dokumentarnih filmova. Aktuelni prodajni katalog obuhvata 10 dokumentaraca srednje i dugometra\u017ene du\u017eine sa me\u0111unarodnim potencijalom, univerzalnim temama i umetni\u010dkim vrednostima.<\/p>\n

Krakovska filmska fondacija je i organizator Krakovskog filmskog festivala: jedne od najstarijih manifestacija na svetu posve\u0107enih dokumentarnim, animiranim i kratkim igranim filmovima. Festival je, izme\u0111u ostalih, akreditovan od strane Me\u0111unarodne federacije udru\u017eenja filmskih producenata (FIAPF<\/span>), Evropske filmske akademije (EFA<\/span>) i Akademije filmske umetnosti i nauke (AMPAS<\/span>). Zahvaljuju\u0107i tome, to je jedini festival dugometra\u017enih dokumentarnih filmova koji daje kandidate za Oskara i jedan od dva festivala kratka filma u Poljskoj koji \u0161alje kandidate za Oskara.<\/p>\n

\"\"<\/p>\n

Rob \/ Niewolnik \/ Slave<\/span><\/strong><\/p>\n

Poland<\/p>\n

Short feature<\/p>\n

    \n
  1. \/ 29′<\/li>\n<\/ol>\n

    Directed by<\/p>\n

    Grzegorz Piekarski<\/span><\/p>\n

    Regional premiere<\/strong><\/p>\n

    \"\"<\/p>\n

    Put \/ Droga \/ The Way<\/span><\/strong><\/p>\n

    Poland<\/p>\n

    Documentary<\/p>\n

      \n
    1. \/ 23′<\/li>\n<\/ol>\n

      Directed by<\/p>\n

      Wojtek Kozakiewicz<\/span><\/p>\n

      Serbian premiere<\/strong><\/p>\n

      \"\"<\/p>\n

      98kg \/ 98kg<\/strong><\/p>\n

      Poland, Germany<\/p>\n

      Animated<\/p>\n

        \n
      1. \/ 5′<\/li>\n<\/ol>\n

        Directed by<\/p>\n

        Izabela Pluci\u0144ska<\/span><\/p>\n

        Serbian premiere<\/strong><\/p>\n

        \"\"<\/p>\n

        Prekasno \/ Za p\u00f3\u017ano \/ Too Late<\/span><\/strong><\/p>\n

        Poland<\/p>\n

        Animated<\/p>\n

          \n
        1. \/ 15′<\/li>\n<\/ol>\n

          Directed by<\/p>\n

          Kinga Syrek<\/span><\/p>\n

          Regional premiere<\/strong><\/p>\n \n \n <\/div>\n <\/div>\n

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          Nepobedivi um \/ Invincible Mind <\/span><\/h3>\n \n
          \n \"\"\n <\/div>\n \n \n
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          2022. \/ 96\u2019<\/p>\n

          SAD \/ USA<\/span><\/p>\n

          Dokumentarni<\/p>\n

          Re\u017eija i koprodukcija<\/p>\n

          Zoran Amar<\/p>\n

          Koprodukcija<\/p>\n

          Mark Vignali<\/span><\/p>\n

          Monta\u017ea<\/p>\n

          Rade Popovi\u0107<\/p>\n

          Snimatelj<\/p>\n

          Aleksandar Jovanovi\u0107<\/p>\n

          Produkcijska ku\u0107a<\/p>\n

          Film Undergods Collective<\/span><\/p>\n

          Pri\u010da o \u017eivotu i delu D\u017eona Konorsa, koji je odrastao u radni\u010dkom kraju na obodu Bostona i rano u \u017eivotu postavio te\u017eak cilj \u2013 da upi\u0161e univerzitet Harvard. Ve\u0107 duboko zagaziv\u0161i u \u010detvrtu deceniju \u017eivota odlu\u010dio je da napusti tradicionalni \u017eivot srednje klase, koji je uklju\u010divao te\u0161ko ste\u010denu diplomu sa Harvarda, uspe\u0161an posao, kuc\u0301u u predgra\u0111u i brak sa dvoje dece, i da pokrene svoju d\u017eijud\u017eicu i MMA akademiju. Uradio je ono \u0161to malo ljudi sme da uradi: priznao je da je nezadovoljan konvencionalnim skupom \u017eivotnih pravila i u zrelom dobu po\u010deo nov \u017eivot \u2013 avanturisti\u010dki i neizvestan, sa svakodnevnim izazovima.<\/p>\n

          Svetska premijera <\/strong><\/p>\n<\/div>\n \n \n <\/div>\n

          \n
          \n \"\"\n \n Milovan Ili\u0107<\/span>\n \n <\/div>\n \n\n
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          Zoran Amar <\/strong><\/p>\n

          Kao re\u017eiser, koscenarista i koproducent iza sebe ima: tri igrana filma, jedan dugometra\u017eni muzi\u010dki film, jedan kratki film, vi\u0161e od 30 epizoda \u010detiri TV serije, mnogobrojne reklame i muzi\u010dke spotove. Predavaoje \u00a020 godina filmsku produkciju na \u0160koli vizuelne umetnosti u Njujorku. Osnovao Film Underdogs Collective<\/span> 2010. \u017divi u Kaliforniji. Trenutno radi postprodukciju trodelne dokumentarne serije \u201eBeogradski krug\u201c za AJB.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

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          Parampar\u010dad \/ Parampar\u00e7a \/ Shattered<\/span> \/ 2.4. 17h<\/span><\/h3>\n \n
          \n \"\"\n <\/div>\n \n \n
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          Turska \/ Turkey<\/span><\/p>\n

          Dokumentarni<\/p>\n

            \n
          1. \/ 62′<\/li>\n<\/ol>\n

            Re\u017eija<\/p>\n

            Orhan Tekeo\u011flu, Nurdan Tekeo\u011flu<\/span><\/p>\n

            Produkcija<\/p>\n

            Medya Ton, Nurdan Tekeo\u011flu<\/span><\/p>\n

            Koprodukcija<\/p>\n

            Story Studios, Siridoula Gouskou<\/span><\/p>\n

            Zehrin \u017eivot je prepun finansijskih i porodi\u010dnih uspona i padova, siroma\u0161tva i uspeha. Udaje se vrlo mlada i ima traumati\u010dno iskustvo i sa ocem i sa mu\u017eem. Ipak, ova sna\u017ena \u017eena trec\u0301e generacije kritskih imigranata ponovo po\u010dinje svoj \u017eivot vo\u0111enjem kritskog restorana u Bodrumu.<\/p>\n

            Me\u0111unarodna premijera <\/strong><\/p>\n<\/div>\n \n \n <\/div>\n

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            \n \"\"\n \n Private archive<\/span>\n \n <\/div>\n \n\n
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            dr Nurdan Tekeo\u011flu<\/span><\/strong><\/p>\n

            Ro\u0111ena u Istanbulu 1964. Diplomirala je sociologiju na Univerzitetu Bosfor, zatim doktorirala na Univerzitetu Marmara i radila u domac\u0301im i stranim kompanijama. Zavr\u0161ila Istanbulsku filmsku akademiju 2019. Dok je radila kao \u0161ef Metro AG u Turskoj, organizovala je prva takmi\u010denja kratkog filma za studente, kao projekat dru\u0161tvene odgovornosti. Producirala je dokumentarac Orhana Tekeoglua \u201eIfakat\u201c i kratki igrani film \u201eMnogo sam te voleo\u201c (\u00d6yle Sevdim Ki Seni<\/span>), koji je re\u017eirao Orhan Tekeoglu, kao i film \u00a0\u201eIzvanredni ljudi: Rudolf Nurejev: Ostrvo njegovih snova\u201c. Prvu re\u017eiju potpisuje 2017, za film \u201eRazdor ljubavi\u201c (\u0130ki Yaka\u00a0Yar\u0131m\u00a0A\u015fk<\/span>). Godine 2019. producirala je dokumentarne filmove \u201eVreme za polazak\u201c (Vargit zamani<\/span>) i \u201eNeispri\u010dana pri\u010da o Fatmi Kajaci\u201c (Fatma Kayac\u0131’n\u0131n Bilinmeyen Hikayesi<\/span>) Orhana Tekeoglua. \u201eParampar\u010dad\u201c je prvi dokumentarac koji je re\u017eirala sa O. Tekeogluom. \u010clan EVA i Seiap, kao i Media Ton. Redovna profesorka na Univerzitetu za trgovinu u Istanbulu. Dr\u017ei radionice grupnog finansiranja na filmskim festivalima. Primljena na EFA, Evropsku filmsku akademiju, po preporuci.<\/p>\n <\/div>\n <\/div>\n \n

            \n
            \n \"\"\n \n Private archive<\/span>\n \n <\/div>\n \n\n
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            Orhan Tekeo\u011flu<\/span><\/strong><\/p>\n

            Ro\u0111en u Trabzonu. Diplomirao je na odseku za radio-televiziju Univerziteta Gazi i radio kao novinar 25 godina. Osnovao je Media Ton sa dr Nurdan Tekeoglu da bi snimio dokumentarac \u201eIfakat\u201c za TRT, dr\u017eavni TV stanicu, i nagra\u0111en je na konkursu dokumentarnog filma. Svoj prvi dugometra\u017eni film, \u201eMnogo sam te voleo\u201c (\u00d6yle Sevdim Ki Seni<\/span>), zavr\u0161io je 2013. Film je uvr\u0161ten u zvani\u010dne selekcije Moskovskog filmskog festivala, Kijevskog IFF Molodista i mnogih drugih, a osvojio je i nagrade za najbolji strani film Kanadskog filmskog festivala i Portobelo filmskog festivala. Re\u017eirao je film \u201eIzvanredni ljudi: Rudolf Nurejev: Ostrvo njegovih snova\u201c (2016) sa Evgenijom Tirdatovom. \u201eVreme za polazak\u201c (Vargit zamani, 2019), \u00a0dokumentarni film snimljen uz podr\u0161ku turskog Ministarstva kulture i turizma, dobio je po\u010dasnu nagradu 4. Festivala dokumentarnog filma \u201eBeyond Borders<\/span>\u201c. Film \u201e7 kibela\u201c (7 Kibele<\/span>) je re\u017eirao 2020, a \u201eNeispri\u010dana pri\u010da o Fatmi Kajaci\u201c (Fatma Kayac\u0131’n\u0131n Bilinmeyen Hikayesi<\/span>) \u00a02022. godine, osvojiv\u0161i nagradu TRT za dokumentarni film. Njegov poslednji dokumentarac je \u201eParampar\u010dad\u201c. Predaje film na Univerzitetu Esenjurt u Istanbulu.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

            \n

            Zovi me mama \/ Call Me Mommy<\/span> \/ 2.4. 17h<\/span><\/h3>\n \n
            \n \"\"\n <\/div>\n \n \n
            \n \n
            \n
              \n
            1. \/ 15\u2019<\/li>\n<\/ol>\n

              Irska<\/p>\n

              Dokumentarni<\/p>\n

              Re\u017eija<\/p>\n

              Tara O\u2019Callaghan<\/span><\/p>\n

              Produkcija<\/p>\n

              Aron McEnaney, Louise Byrne<\/span><\/p>\n

              Izvr\u0161na produkcija<\/p>\n

              Ross Killeen<\/span><\/p>\n

              Produkcijska ku\u0107a<\/p>\n

              Motherland<\/span><\/p>\n

              Otkrivanje vi\u0161estrukog \u017eivota \u010detrdesetogodi\u0161nje samohrane majke i onlajn seksualne radnice \u0160inejd. Film istra\u017euje mogu\u0107e uzroke i posledice \u201eproblema s mamom\u201c, li\u010dnog i profesionalnog sveta u kome \u017eivi \u0160inejd. Prikazuje intimni portret savremene seksualne radnice.<\/p>\n

              Srpska premijera <\/strong><\/p>\n<\/div>\n \n \n <\/div>\n

              \n
              \n \"\"\n \n Faolan Carey<\/span>\n \n <\/div>\n \n\n
              \n

              Tara O’Callaghan<\/span><\/strong><\/p>\n

              Kombinuje nadrealizam sa ekspresionisti\u010dkim monta\u017enim postupkom, kako bi postigla jedinstven osec\u0301aj. Njen stil se\u010de kroz narativ da bi otkrio emocionalnu sr\u017e u osnovi. Od nagrada Kinsale Shark<\/span> i izbora Vimea do najboljeg kratkometra\u017enog dokumentarnog filma festivalu koji kvalifikuje za Oskara \u2013 Galvej Film Fleadh, a sada i na filmskom festivalu Sundance<\/span> 2023 \u2013 Tara nastavlja da privla\u010di pa\u017enju.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n \n <\/div>\n <\/div>\n\n\n

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