{"id":1290,"date":"2023-03-20T13:14:31","date_gmt":"2023-03-20T13:14:31","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=1290"},"modified":"2023-03-28T18:50:54","modified_gmt":"2023-03-28T18:50:54","slug":"regionalna-panorama","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/regionalna-panorama\/","title":{"rendered":"REGIONAL PANORAMA"},"content":{"rendered":"
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Dani od snova \/ 29.3. 19h<\/span><\/h3>\n \n
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    \n
  1. \/ 98\u2019<\/li>\n<\/ol>\n

    Montenegro<\/p>\n

    Documentary<\/p>\n

    Written, directed and photographed by<\/p>\n

    Momir Matovi\u0107<\/p>\n

    Second unit DOP<\/p>\n

    Relja Erakovi\u0107<\/p>\n

    Sound by<\/p>\n

    Velibor Hajdukovi\u0107<\/p>\n

    Production company<\/p>\n

    MFILM Podgorica \u2013 Filmski centar Crne Gore<\/p>\n

    Natives of Montenegro, Vlatko Gili\u0107, Predrag Golubovi\u0107 and \u017divko Nikoli\u0107 are figures who, by accepting the film as their destiny in life, consistently, creatively, authoritatively, poetically, metaphorically... painted a wonderful patchwork of everyday life, not only in Montenegro but everywhere around. This film is a unique attempt to make their creative opus, highly significant to Montenegrin and cinematography in general, point out and remind us of the dramaturgy of life, enlivened life, pointing out life, often present in art, but also forgotten.<\/p>\n

    Regional premiere <\/strong><\/p>\n \n \n <\/div>\n

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    \n \"\"\n \n Private archive<\/span>\n \n <\/div>\n \n\n
    \n

    Momir Matovi\u0107<\/strong><\/p>\n

    Born in 1951 in Titograd (Podgorica), Republic of Montenegro. Obtained his BA from the Faculty of Dramatic Arts in Belgrade, Film Camera Department. One of the most prominent Montenegrin and Serbian auteurs of documentary and short films.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

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    Pe\u010dat bra\u0107e Ljubavi\u0107a \/ 30.3. 21h<\/span><\/h3>\n \n
    \n \"\"\n <\/div>\n \n \n
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      \n
    1. \/ 54′<\/li>\n<\/ol>\n

      Republic of Srpska, B&H<\/p>\n

      Docudrama<\/p>\n

      Directed by<\/p>\n

      Slobodan Simojlovi\u0107<\/p>\n

      Written by<\/p>\n

      Snje\u017ean Lalovi\u0107, Slobodan Simojlovi\u0107<\/p>\n

      Narated by<\/p>\n

      dr Biljana Samard\u017ei\u0107<\/p>\n

      Cast<\/p>\n

      \u0110or\u0111e Rackovi\u0107, Zoran Todorovi\u0107, Nemanja Popovi\u0107<\/p>\n

      Produced by<\/p>\n

      Snje\u017ean Lalovi\u0107<\/p>\n

      Production company<\/p>\n

      Kinoteka Republike Srpske<\/p>\n

      Co-production company<\/p>\n

      Radio-televizija Republike Srpske<\/p>\n

      U vreme otomanske okupacije balkanskih prostora, bra\u0107a \u0110ura\u0111 i Teodor Ljubavi\u0107 1519. godine odlaze u Veneciju kako bi nau\u010dili \u0161tamparski zanat i kupili \u0107irili\u010dnu \u0161tamparsku presu. Prolaze kroz niz isku\u0161enja, od \u010detrdesetodnevnog karantina u Veneciji, do neizvesnog puta punog opasnosti pri povratku. Te, 1519. godine, bra\u0107a Ljubavi\u0107i \u0161tampariju donose u manastir Sopotnica kod Gora\u017eda i po\u010dinju \u0161tampati crkvene knjige: psaltir, molitvenik i slu\u017eavnik. Bila je to prva \u0161tamparija na teritoriji dana\u0161nje Bosne i Hercegovine, i druga na prostoru gde \u017eive Srbi, nakon Cetinjske. Time po\u010dinje era pisane pismenosti kod Srba na prostoru tada\u0161nje Bosne i Huma. \u0160tamparija je radila 4 godine, a potom, najverovatnije zbog pritiska turskih vlasti, biva premje\u0161tena u Trgovi\u0161te u Rumuniju.<\/p>\n

      Festivalska premijera <\/strong><\/p>\n \n \n <\/div>\n

      \n
      \n \"\"\n \n Andrej Simojlovi\u0107<\/span>\n \n <\/div>\n \n\n
      \n

      Slobodan Simojlovi\u0107 <\/strong><\/p>\n

      Director, screenwriter and producer. Born in 1968 in Belgrade, where he obtained his BA from Faculty of Dramatic Arts in Belgrade. From 1993 until today, wrote and directed more than a hundred documentary, ethnological and children's films produced by the Radio Television of Serbia, EBU (Eurovision), TV Novi Sad, Cinematheque of the Republic of Srpska, Alternative Television and several private production companies. In addition to festival screenings, many of these films aired on public services in Europe and Japan. Won awards at festivals in Mexico City, Beijing, Belgrade, Berlin, Jahorina, Ku\u010devo, Sombor and Sremski Karlovci.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

      \n

      Austrijska revija kratkog filma \/ Die \u00d6sterreichische Kurzfilmschau<\/span>h<\/span><\/h3>\n \n
      \n \"\"\n <\/div>\n \n \n
      \n \n

      The Austrian Short Film Show is collaboration between the Austrian Film Academy and the Federal Ministry for European and International Affairs. The project was first presented in 2012 at the International Cultural Conference in Vienna and has been carried out yearly since then. The selection can include short feature films, documentaries and experimental films, animations and music videos. Every year, a new selection is formed, which consists of those Austrian short films that, through awards and success at festivals, qualify for participation in the Austrian Film Award in the Best Short Film category. The selected films go on a one-year tour around the world. This year's selection will have its Serbian premiere at the Martovski Festival in cooperation with the Austrian Cultural Forum Belgrade.<\/p>\n

      \"\"<\/p>\n

      Fabiu<\/strong><\/p>\n

        \n
      1. \/ 28′<\/li>\n<\/ol>\n

        Written and directed by<\/p>\n

        Stefan Langthaler<\/span><\/p>\n

        Cast<\/p>\n

        Krist\u00f3f Gell\u00e9n, Birgit Stimmer, G\u00fcnter Tolar<\/span><\/p>\n

        Produced by<\/p>\n

        Victoria Herbig, Sebastian Schmidl<\/span><\/p>\n

        80-year-old retiree Arthur lives in a modest council home in Vienna. For quite some time, he has lovingly cared for his seriously ill wife, Martha, with only female nurses assisting him. His routine is broken when he finds Fabiu, the new male Hungarian care worker, on his doorstep. But soon, the two men become closer, and inside Arthur, feelings of desire and suppressed longing start to rise.<\/p>\n

        \"\"<\/p>\n

        \u017denski fragmenti: Gini i Resi<\/strong>\u00a0\/ Frauenfragmente: Gini und Resi<\/span><\/p>\n

          \n
        1. \/ 43\u2019<\/li>\n<\/ol>\n

          Written and directed by<\/p>\n

          Sophie Gmeiner<\/span><\/p>\n

          Produced by<\/p>\n

          Sophie Gmeiner, Nils Schr\u00f6der<\/span><\/p>\n

          After Resi (59) was able to lead her life largely autonomously despite her mental disability, she has been living in the local retirement home in her hometown of K\u00f6ssen, Tyrol, for a few years now. The unconventional Gini (61) is Resi's sister and guardian, but also her closest ally in the family. Their indestructible humor holds the two sisters together, even though there would have been every reason to lose heart. In March 2020, Resi died of corona disease.<\/p>\n

          \"\"<\/p>\n

          Goli mu\u0161karci u \u0161umi<\/strong>\u00a0\/ Nackte M\u00e4nner im Wald<\/span><\/p>\n

            \n
          1. \/ 30\u2019<\/li>\n<\/ol>\n

            Directed by<\/p>\n

            Paul Ploberger<\/span><\/p>\n

            Written by<\/p>\n

            Benjamin Kornfeld, Paul Ploberger<\/span><\/p>\n

            Cast<\/p>\n

            Stefano Bernardin, Julia Edtmeier, Stefan-Manuel Eggweber, Benjamin Kornfeld<\/span><\/p>\n

            Produced by<\/p>\n

            Jakob Widmann<\/span><\/p>\n

            A complicated marriage: she has a tumor, he's gay, and both of them are hiding it.\u00a0When the only daughter moves out, he wants to come out and get them off to a good start again.\u00a0Nothing will come of both.\u00a0He arranges a bizarre role-play date and she, convinced that he has a younger woman, spies on him.\u00a0The hunt begins!<\/p>\n \n \n <\/div>\n <\/div>\n

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            VARAN BALKAN izbor \/ 1.4. 14h<\/span><\/h3>\n \n
            \n \"\"\n <\/div>\n \n \n
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            Varan Balkan je nova regionalna filmska platforma, koju su osnovali biv\u0161i polaznici radionice dokumentarnog filma Ateljea Varan iz Pariza. Pro\u0161le godine su u Beogradu i u Novom Sadu uspe\u0161no zavr\u0161ene dve ovakve radionice, na kojima je nastalo 20 dokumentarnih filmova. Neke od njih publika je\u00a0videla na pro\u0161lom Martovskom festivalu, a neke \u0107e videti ove godine. Gost festivala je \u017dan-Noel Kristijani, koji \u0107e u\u010destvovati u panelu posve\u0107enom ovoj novoj platformi, i koji \u0107e predstaviti deo prate\u0107eg program sa filmovima nastalim na pro\u0161logodi\u0161njim radionicama (Korzika, Novi Sad, Beograd). On je jedan od osniva\u010da radionica Ateljea Varan, koje su nastale 1980. na inicijativu oca antropolo\u0161kog i etnolo\u0161kog filma \u017dana Ru\u0161a, ali i najzaslu\u017eniji za \u0161irenje delatnosti ovih radionica u Srbiji i regionu.<\/p>\n

            \"\"<\/p>\n

            \u010cetvrt doma <\/strong><\/p>\n

              \n
            1. \/ 22\u2019 41\u2019\u2019<\/li>\n<\/ol>\n

              Directed by <\/p>\n

              Ana Rai\u010devi\u0107<\/p>\n

              Izme\u0111u zgrada nekada\u0161nje fabrike, dom pronalaze slikar Geza, njegove kom\u0161ije, pas Don i ma\u010dka Rusja.<\/p>\n

              \"\"<\/p>\n

              Jednogodi\u0161njak<\/strong><\/p>\n

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              1. \/ 23\u2019 49\u2019\u2019<\/li>\n<\/ol>\n

                Directed by <\/p>\n

                Maja Mili\u0107<\/p>\n

                Vanja decenijama radi u pozori\u0161tu kao inspicijent, producent i kralj epizodnih uloga. Iako je napunio 71 godinu prijatelji i porodica organizovali su mu proslavu 1. ro\u0111endana.<\/p>\n

                \"\"<\/p>\n

                Dobrinka<\/strong><\/p>\n

                  \n
                1. \/ 28\u2019 19\u2019\u2019<\/li>\n<\/ol>\n

                  Re\u017eija Zoja \u010cvoro<\/p>\n

                  Zojini roditelji kupili su stan na Novom Beogradu. Kada je oti\u0161la da ga pogleda videla je da na vratima pored pi\u0161e njeno prezime. Pokucala je i otvorila joj je Dobrinka, \u017eena njenog pokojnog pradede, koga nikad nije upoznala.<\/p>\n

                  \"\"<\/p>\n

                  So u stenama<\/strong>\u00a0\/ Du sel dans les pierres<\/span><\/p>\n

                    \n
                  1. \/ 20′ 45″<\/li>\n<\/ol>\n

                    Francuska<\/p>\n

                    Directed by <\/p>\n

                    Madeleine Roux<\/span><\/p>\n

                    \u017dozef \u017eivi svoje snove izme\u0111u stare luke i planine.<\/p>\n

                    \"\"<\/p>\n

                    Reli, moj brat i ja<\/strong>\u00a0\/ h<\/span>Le rallye, mon fr\u00e8re et moi,\/span><\/p>\n

                      \n
                    1. \/ 16′ 37”<\/li>\n<\/ol>\n

                      Francuska<\/p>\n

                      Directed by <\/p>\n

                      Daouya Feriel Achir<\/span><\/p>\n

                      Moj brat ne \u017eeli vi\u0161e da mu budem suvoza\u010d. U potrazti za uzbu\u0111enjima, po prvi put sam u\u010destvujem u auto reliju.<\/p>\n

                      \"\"<\/p>\n

                      Kad sazru klementine<\/strong>\u00a0\/ Quand m\u00fbrissent les cl\u00e9mentines<\/span><\/p>\n

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                      1. \/ 23′ 29”<\/li>\n<\/ol>\n

                        Francuska<\/p>\n

                        Directed by <\/p>\n

                        Lama Kabbanji<\/span><\/p>\n

                        Na Korzici je po\u010dela sezona branja klementina. Kako se izboriti sa celodnevnim branjem?<\/p>\n \n \n <\/div>\n

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                        Jean-No\u00ebl Cristiani<\/span><\/strong><\/p>\n

                        Studirao filozofiju na Pariskom Univerzitetu i magistrirao nastavu. Godine 1968. bio je u\u010denik i prijatelj \u017dana Ru\u0161a, a 1980. s njim je u\u010destvovao u prvoj radionici onoga \u0161to c\u0301e postati Radionice Varan. Vodio je nekoliko radionica u Francuskoj, Keniji, Rumuniji, biv\u0161oj Jugoslaviji, Kavkazu, Egiptu… Njegov prvi film 1976. godine \u201eTi\u0161ina organa\u201c, razmi\u0161ljanje o savremenoj medicini, izazvao je burnu polemiku. Kanal Arte, od svog osnivanja, emituje njegov drugi film o umetniku art bruta, Poladijanu. Njegov film iz 1979. \u201eNormani, varvari i graditelji\u201c, o istoriji i arhitekturi opatija u Normandiji, osvojio je brojne nagrade i prikazan je u Kanu. Slede filmovi o fizici \u010destica snimljeni u C.E.R.N.<\/span>-u u \u017denevi, zatim filmovi kojima su tema muzi\u010dari Kaunt Bejzi, D\u017eon Koltrejn i Maks Rou\u010d, te pisci Karen Bliksen, Mika Voltari, Eduard Glisan, Moris \u010capaz. Godine 1987, istra\u017euju\u0107i promene identiteta objekta na svetlosti, snima film \u201eIzlo\u017eba Sula\u017ea\u201c. Slikar je zatim predlo\u017eio filmskom autoru da prati izradu vitra\u017ea opatije u Konku. Tako je nastao vi\u0161estruko nagra\u0111ivan film \u201eVitra\u017ei \u00a0Sula\u017ea\u201c. Ubrzo je snimio jo\u0161 nekoliko filmova koji su pratili rad slikara Pjera Sula\u017ea, me\u0111u njima i \u201ePjer Sula\u017e u Luvru\u201c i \u201eSula\u017e, ra\u0111anje jednog muzeja\u201c. U decembru 2019, TV stanica FR3 povodom stogodi\u0161njice slikara emituje film \u201eSula\u017e, jedan vek\u201c. \u201ePjer Sula\u017e, Pjer Enkrev, me\u0111u prijateljima\u201c je njegov sedmi film sa ovim slikarom. \u201e\u0160eta\u010d\u201c prikazuje vezu izme\u0111u \u0161etnje i filma i u\u0161ao je u me\u0111unarodnu selekciji Festival du reel. Istra\u017eivanje o svetlosti i slike nastavio je 2023. pripremajuc\u0301i film \u201eSlikar ni\u010dega\u201c, o poslednjim skicama Vilijama Tarnera koje je napravio dok je pe\u0161a\u010dio du\u017e Laman\u0161a.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

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                        1991. Adio Jugo film, adio Jugo festival, adio Jugoslavija\u2026 vidimo se u sljede\u0107em ratu \/ 1.4. 17h<\/span><\/h3>\n \n
                        \n \"\"\n <\/div>\n \n \n
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                          \n
                        1. \/ 92\u2019<\/li>\n<\/ol>\n

                          Hrvatska<\/p>\n

                          Documentary<\/p>\n

                          Scenario, re\u017eija, produkcija<\/p>\n

                          Igor Galo<\/p>\n

                          Editing<\/p>\n

                          Danilo Lola Ili\u0107<\/p>\n

                          Producentska ku\u0107a<\/p>\n

                          UOFD Histria film<\/span>, Pula<\/p>\n

                          Dokumentarac o Festivalu jugoslovenskog igranog filma u Puli, koji je prvenstveno okupljao kinematografije svih socijalisti\u010dkih republika biv\u0161e Jugoslavije, do njenog tragi\u010dnog raspada. Istovremeno je i prikaz dru\u0161tveno-politi\u010dkih okolnosti u kojim je osnovan. Svedo\u010denjem glavnih aktera FJIF, od osniva\u010da Marjana Rotara, do svih presudnih direktora festivala, filmskih radnika, glumaca, re\u017eisera, producenata, film istra\u017euje kako je uop\u0161te bio mogu\u0107 festival takvog evropskog i svetskog zna\u010daja u vreme svog trajanja. Od osnivanja 1953. do nasilnog ga\u0161enja 1991. godine, festival odslikava ra\u0111anje socijalisti\u010dke Jugoslavije, njen razvoj u dru\u0161tveno-politi\u010dkom, kulturno-obrazovnom i privrednom smislu, kao i njen raspad, pa time i sopstveni nestanak, kao jedinstvene i neponovljive filmske manifestacije u svetskim razmjerima, kao \u0161to je to bila i Jugoslavija.<\/p>\n

                          Regional premiere<\/strong><\/p>\n \n \n <\/div>\n

                          \n
                          \n \"\"\n \n Du\u0161ko Maru\u0161i\u0107 \u010ci\u010di<\/span>\n \n <\/div>\n \n\n
                          \n

                          Igor Galo<\/strong><\/p>\n

                          Ro\u0111en 1948. godine u \u0106upriji, Srbija, FNRJ. Prvu ulogu je ostvario u filmu \u201eImam dvije mame i dva tate\u201c (Kre\u0161o Golik, 1968), a verovatno je najpoznatiji po ulozi Bambina u filmu \u201eMost\u201c (Hajrudin Krvavac, 1969). Glumio je u nekim od najpoznatijih jugoslovenskih filmova: \u201eValter brani Sarajevo\u201c (Hajrudin Krvavac 1972), \u201eDivlji an\u0111eli\u201c (Fadil Had\u017ei\u0107, 1969), \u201eMa\u0161karada\u201c (Bo\u0161tjan Hladnik, 1971), \u201ePoslijepodne jednog fazana\u201c (Marijan Arhani\u0107, 1972), \u201eAkcija stadion\u201d (Du\u0161an Vukoti\u0107, 1977), \u201ePakleni otok\u201c (Vladimir Tadej, 1979), \u201eBanovi\u0107 Strahinja\u201c (Vatroslav Mimica, 1981), \u201eCrveni i crni\u201c (Miroslav Mikuljan, 1985) i drugim. Ostvario je uloge i u me\u0111unarodnoj produkciji, poput filma \u201eGvozdeni krst\u201c (Sem Pekinpo, 1977). Re\u017eirao je kratki igrani film \u201eNavija\u010d\u201d (1985). U prethodnih 30 godina sara\u0111ivao je sa kolegama iz Austrije, Nema\u010dke, Italije, Slovenije, BiH i Srbije, kao gost ili \u010dlan stru\u010dnog \u017eirija filmskih festivala (Pali\u0107, Herceg Novi, Trst…). \u010clan je saveta filmskog festivala Balkan Panorama u Izmiru, Turska od 2019. Dobitnik nagrade \u201eMarjan Rotar\u201c Pula Film Festivala za doprinos hrvatskom filmu, nagrade za \u017eivotno delo \u201eFabijan \u0160ovagovi\u0107\u201c, koju dodeljuje Dru\u0161tvo hrvatskih reditelja, kao i nagrade \u201eAleksandar Lifka\u201c za doprinos regionalnoj kinematografiji, na Festivalu evropskog filma Pali\u0107. \u017divi i radi u Puli, Hrvatska.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

                          \n

                          \u017diveti Bitlse \/ 1.4. 19h<\/span><\/h3>\n \n
                          \n \"\"\n <\/div>\n \n \n
                          \n \n
                            \n
                          1. \/ 53\u2019<\/li>\n<\/ol>\n

                            Bosna i Hercegovina<\/p>\n

                            Documentary<\/p>\n

                            Autor<\/p>\n

                            Neboj\u0161a Grabe\u017e<\/p>\n

                            Kamera i monta\u017ea<\/p>\n

                            Nenad Barbul<\/p>\n

                            Production company<\/p>\n

                            Al Jazeera Balkans<\/span><\/p>\n

                            Kako je jedna izgubljena pesma odredila karijere grupe beogradskih kreativaca i odvela ih na puteve o kojima nisu ni sanjali? \u00a0Tim putevima bavi se ovaj film. Re\u010d je o muzi\u010dkoj grupi Rubber Soul Project<\/span>, koju je sredinom devedesetih okupio Rastko \u0106iri\u0107, profesor Fakulteta primenene umetnosti. Nakon saznanja da je sa albuma \u201eRubber Soul<\/span>\u201c, koji su Bitlsi snimili 1965. godine, izostavljena ve\u0107 postoje\u0107a naslovna numera, \u0106iri\u0107 je odlu\u010dio da komponuje ovu pesmu, upravo onako kako bi to u\u010dinili \u010dlanovi najslavnije i najzna\u010dajnije pop-rok grupe svih vremena. Projekat jedne \u201eizgubljene\u201c pesme postao je projekat dugotrajne imaginacije stvarala\u0161tva D\u017eona, Pola, D\u017eor\u017ea i Ringa. \u00a0\u010clanovi grupe Rubber Soul Project, pojedina\u010dno ve\u0107 afirmisani u svojim profesijama, na neuobi\u010dajen na\u010din su nastavili rad Bitlsa i u decenijama posle njihovog raspada. Ovo poigravanje dobijalo je vremenom nove naslove i zna\u010dajne potvrde, od nastupa u legendarnom liverpulskom Cavern<\/span> klubu i otkrivanja spomen plo\u010de D\u017eonu Lenonu, do presti\u017ene \u201eGlobal music award<\/span>\u201c.<\/p>\n

                            Svetska festivalska premijera <\/strong><\/p>\n \n \n <\/div>\n

                            \n
                            \n \"\"\n \n Nenad Barbul<\/span>\n \n <\/div>\n \n\n
                            \n

                            Neboj\u0161a Grabe\u017e<\/strong><\/p>\n

                            Novinar Al D\u017eazire Balkan u Beogradu. \u00a0Novinarstvom se bavi od 1987: prvih dvanaest godina profesionalnog rada proveo je u RTV Studio B, a narednih dvanaest na radiju Slobodna Evropa. \u010clan je tima Al D\u017eazire Balkan od njenog osnivanja 2011. godine, na poziciji beogradskog dopisnika i producenta. Autor je jednog od prvih dokumentarnih serijala u produkciji AJB \u2013 \u201eRitam Balkana\u201c i nekoliko muzi\u010dkih dokumentarca \u2013 \u201eBalkan na Temzi\u201c, \u00a0\u201eKosovo blues<\/span> \u2013 \u0160ta posle svega?\u201c, \u201eRatovi prolaze, ljudi ostaju\u201c.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

                            \n

                            Feniks iz Kavadaraca\u00a0\/ \u0424\u0435\u043d\u0438\u043a\u0441\u043e\u0442 \u043e\u0434 \u041a\u0430\u0432\u0430\u0434\u0430\u0440\u0446\u0438 \/ The Phoenix of Kavadarci<\/span> \/ 1.4. 19h<\/span><\/h3>\n \n
                            \n \"\"\n <\/div>\n \n \n
                            \n \n
                              \n
                            1. \/ 29\u2019 35\u2019\u2019<\/li>\n<\/ol>\n

                              Severna Makedonija<\/p>\n

                              Documentary<\/p>\n

                              Written and directed by<\/p>\n

                              Mi\u0161o Netkov<\/p>\n

                              Production company<\/p>\n

                              Video Studio Petkovski<\/p>\n

                              Film o \u017eivotu i delu Vasila Had\u017eimanova, jednog od najvec\u0301ih i najupornijih makedonskih istra\u017eiva\u010da u oblasti etnomuzikologije, melografije i folklora, a ujedno i jednog od vrhunskih tuma\u010da izvornih makedonskih narodnih pesama. U filmu veliki broj nau\u010dnika i ljudi koji su mu bili bliski govore o njegovom radu. Preminuo je u Skoplju 1969. godine, a njegov rad nastavili su sin Zafir i unuk koji nosi njegovo ime.<\/p>\n

                              Festivalska premijera <\/strong><\/p>\n \n \n <\/div>\n

                              \n
                              \n \"\"\n \n Jane Temelkovski<\/span>\n \n <\/div>\n \n\n
                              \n

                              Prof. dr Mi\u0161o Netkov<\/strong><\/p>\n

                              Bio je zaposlen u Makedonskoj televiziji kao novinar (urednik) od 1974. do 2014. Autor vi\u0161e od 400 TV dokumentaraca (dokumentarne emisije, dokumentarni filmovi, TV drame, dokumentarne reporta\u017ee, etno filmovi). U\u010desnik brojnih domac\u0301ih i me\u0111unarodnih TV festivala na kojima je osvojio 16 presti\u017enih me\u0111unarodnih nagrada: Krakov-Poljska, Himad\u017ei-Japan, Sandanski-Bugarska, Kru\u0161evo-Makedonija, Kijev-Ukrajina, Nesebar-Bugarska, Sevastopolj-Ukrajina, Rostov-na-Don Ruska Federacija, Bijaric-Francuska, Sandanski-Bugarska itd.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

                              \n

                              Moj Branko ne la\u017ee \/ 2.4. 19h<\/span><\/h3>\n \n
                              \n \"\"\n <\/div>\n \n \n
                              \n \n
                                \n
                              1. \/ 84\u2019<\/li>\n<\/ol>\n

                                Republic of Srpska, B&H<\/p>\n

                                Documentary<\/p>\n

                                Directed by<\/p>\n

                                Branko Lazi\u0107<\/p>\n

                                Written by<\/p>\n

                                Sa\u0161a Berendika<\/p>\n

                                Direktor fotografije<\/p>\n

                                Dejan Ra\u010di\u0107<\/p>\n

                                Produced by<\/p>\n

                                Aleksandar \u0110or\u0111evi\u0107<\/p>\n

                                Production company<\/p>\n

                                RTRS<\/p>\n

                                Kako je Branko \u0106opi\u0107, posleratni naj\u010ditaniji, najprevo\u0111eniji, najtira\u017eniji pisac \u010ditavog jugoslovenskog prostora, podjednako omiljen i kod dece i kod odraslih, postao prvi jeretik komunisti\u010dke Jugoslavije? Kako je vedri pisac, koji je iza sebe ostavio impozantno delo, ozbiljnu oporuku i tragi\u010dnu biografiju, postao i ostao \u201esamo\u201c partizanski i de\u010diji pisac? U filmu u\u010destvuju akademik Matija Be\u0107kovi\u0107, \u00a0istori\u010dar Predrag Markovi\u0107, prof.dr Mihajlo Panti\u0107, reditelj Darko Baji\u0107, prof. dr Du\u0161ko Pevulja, doc.dr Oleg Soldat, knji\u017eevnici Ljubivoje R\u0161umovi\u0107, Pero Zubac, Vule \u017duri\u0107… Rekli su o njemu da je prvi komunisti\u010dki jeretik, naj\u010ditaniji pisac Jugosavije, pisac za narod i sirotinju, najomiljeniji osmeh Beograda, poslednji Kraji\u0161nik…<\/p>\n

                                Svetska festivalska premijera <\/strong><\/p>\n \n \n <\/div>\n

                                \n
                                \n \"\"\n \n Dejan Ra\u010di\u0107<\/span>\n \n <\/div>\n \n\n
                                \n

                                Branko Lazi\u0107<\/strong><\/p>\n

                                Ro\u0111en 1968. u Sarajevu, \u017eivi u Banjaluci. Urednik dokumentarnog programa na Radio-televiziji Republike Srpske. Autor je preko 500 emisija, spotova i dokumentarnih filmova. Radio kao fotoreporter, snimatelj, reditelj , producent, \u0161ef produkcije i direktor programa ATV BL. Mentor na radionicama dokumentarnog filma \u201eKratkofil pan\u010d\u201c. Dobitnik preko 50 nagrada za \u00a0dokumentarne filmove, na doma\u0107im i me\u0111unarodnim festivalima. Autor 10 dugometra\u017enih i 15 kratkometra\u017enih dokumentarnih filmova.<\/p>\n <\/div>\n <\/div>\n \n <\/div>\n

                                \n

                                Izbor filmova: Mediteran Film Festival \/ 2.4. 21h<\/span><\/h3>\n \n
                                \n \"\"\n <\/div>\n \n \n
                                \n \n

                                Odr\u017eava se u \u0160irokom Brijegu (BiH) ve\u0107 23 godine i jedan je od najstarijih festivala dokumentarnog filma u regionu. Takmi\u010darski program predstavlja filmove nastale u produkciji ili koprodukciji neke od zemalja Mediterana. \u00a0Bogat prate\u0107i program obuhvata revijalne projekcije filmova, promocije knjiga s filmskim temama, okrugle stolove na temu dokumentarizma, itd, ali i turisti\u010dke sadr\u017eaje (obilasci najzanimljivijih mesta u Hercegovini koja mogu poslu\u017eiti kao lokacije za snimanje filmova, gastro i enolo\u0161ka ponuda…). U sklopu festivala organizuje se filmska radionica, a MFF u\u010destvuje i u produkciji ili koprodukciji dokumentarnih filmova.<\/p>\n

                                Na 70. Martovskom festivalu bi\u0107e prikazani filmovi koji su, prema izboru organizatora MFF-a, obele\u017eili pro\u0161logodi\u0161nju selekciju kratkih dokumentaraca.<\/p>\n

                                You Can’t Automate Me<\/span> (21′, 2021, Slovenija\/Slovenia<\/span>), r: Katarina Jazbec<\/p>\n

                                Abyssal<\/span> (30′, 2021, Francuska\/France<\/span>), r: Alejandro Alonso<\/span><\/p>\n

                                Akouchetame<\/span> (16′, 2021, Francuska\/France<\/span>), r: Ga\u00ebl de Fournas, Federico Francioni<\/span><\/p>\n

                                Bancal<\/span> (28′ 46”, 2021, \u0160panija\/Spain<\/span>), r: Rafael Montezuma<\/span><\/p>\n \n \n <\/div>\n <\/div>\n \n <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1290","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nREGIONALNA PANORAMA | Martovski festival<\/title>\n<meta name=\"description\" content=\"REVIJALNI PROGRAM - REGIONALNA PANORAMA\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2023.martovski.rs\/en\/regionalna-panorama\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"REGIONALNA PANORAMA | Martovski festival\" \/>\n<meta property=\"og:description\" content=\"REVIJALNI PROGRAM - REGIONALNA PANORAMA\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2023.martovski.rs\/en\/regionalna-panorama\/\" \/>\n<meta property=\"og:site_name\" content=\"Martovski festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MartovskiFestival\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T18:50:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/70.-Martovski.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"REGIONALNA PANORAMA | Martovski festival\" \/>\n<meta name=\"twitter:description\" content=\"REVIJALNI PROGRAM - REGIONALNA PANORAMA\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n<meta name=\"twitter:site\" content=\"@MartovskiF\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2023.martovski.rs\/regionalna-panorama\/\",\"url\":\"https:\/\/2023.martovski.rs\/regionalna-panorama\/\",\"name\":\"REGIONALNA PANORAMA | Martovski festival\",\"isPartOf\":{\"@id\":\"https:\/\/2023.martovski.rs\/#website\"},\"datePublished\":\"2023-03-20T13:14:31+00:00\",\"dateModified\":\"2023-03-28T18:50:54+00:00\",\"description\":\"REVIJALNI PROGRAM - REGIONALNA PANORAMA\",\"breadcrumb\":{\"@id\":\"https:\/\/2023.martovski.rs\/regionalna-panorama\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2023.martovski.rs\/regionalna-panorama\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2023.martovski.rs\/regionalna-panorama\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2023.martovski.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"REGIONALNA PANORAMA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2023.martovski.rs\/#website\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"name\":\"Martovski festival\",\"description\":\"70. 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