{"id":258,"date":"2023-02-24T21:11:23","date_gmt":"2023-02-24T21:11:23","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=258"},"modified":"2023-03-28T07:10:21","modified_gmt":"2023-03-28T07:10:21","slug":"selekcija-dokumentarnog-filma-preko-50-minuta","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-preko-50-minuta\/","title":{"rendered":"SELECTION OF DOCUMENTARY FILM OVER 50 MINUTES"},"content":{"rendered":"
\n \n

Predstavljamo program filmova iz selekcije 70. Martovskog festivala, koji se takmi\u010de u kategoriji dokumentarnog filma preko 50 minuta.<\/h2>\n \n
\n
\n

Bez\u00a0\/\u00a0Without<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 63\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Luka Papi\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Luka Papi\u0107, Sr\u0111a Vu\u010do<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Sr\u0111a Vu\u010do<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ran\u010d production<\/strong><\/p>\n

Koprodukcijska ku\u0107a \/\u00a0Co-production company<\/span><\/p>\n

Non-Aligned Films<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

rancproduction@gmail.com<\/span><\/a><\/p>\n

Nakon dobijanja otkaza slikar autsajder iz Beograda, Aleksandar, gubi svog psa i kre\u0107e u potragu za njim. Sa svojim neobi\u010dnim prijateljima vodi nas na putovanje kroz svoju viziju Srbije, dajuc\u0301i joj dru\u0161tveni, politi\u010dki i emocionalni kontekst. Lutajuc\u0301i ovim fragmentima, i Aleksandar i Srbija tra\u017ee identitet.<\/p>\n

After getting fired, an outsider painter from Belgrade, Aleksandar, loses his dog, and now he is on a quest to find it. He guides us with his strange friends on a journey through his vision of Serbia, giving it the social, political and emotional context. Roaming through these fragments, both Aleksandar and Serbia are looking for an identity.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Ex You\u00a0\/ Ex You<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 76\u2019 8\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Milina Tri\u0161i\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Du\u0161an Vojvodi\u0107, Ivana Stevanovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Helena, Kamila, Vuk<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milina Tri\u0161i\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Daydream studio<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milina.trisic@gmail.com<\/span><\/a><\/p>\n

Kroz razli\u010dite \u017eivotne pri\u010de tri transrodne osobe, film postavlja pitanje slobode, razumevanja i prihvatanja u zemljama razapetim izme\u0111u tradicionalnih sistema vrednosti i te\u017enji ka Zapadu. Helena je prevremeno penzionisani major, prvo vojno lice u Srbiji koja je promenila pol. Kamila je iz Bosne i Hercegovine, i dalje se nada tranziciji u Srbiji nakon vi\u0161egodi\u0161njih poku\u0161aja. Vuk je kr\u0161ten u Crnoj Gori, kao prva transrodna osoba koja tada nije zavr\u0161ila tranziciju. Njegova rodna promena neo\u010dekivano mu je spasila \u017eivot.<\/p>\n

Through the diverse life stories of three transgender individuals, the film poses the question of freedom, understanding, and acceptance in countries torn between traditional principles and aspirations toward the West. Helena is an early retired major, the first military person in Serbia to change her gender. Kamila is from Bosnia and Herzegovina, still hoping for transition in Serbia after years of trying. Vuk was baptized in Montenegro as the first transgender person who did not complete the transition at that time. His gender transition unexpectedly saved his life.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Kristina\u00a0\/\u00a0Kristina \/ Kristina<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 87\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Nikola Spasi\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Milanka Gvoi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Kristina Milosavljevi\u0107, Marko Radi\u0161i\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Nikola Spasi\u0107, Milanka Gvoi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

REZON<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

inkubator.rezon@gmail.com<\/a><\/p>\n

Kristina \u017eivi ugodno sama, ali nakon tri slu\u010dajna susreta s Markom pita se je li on duh ili njena srodna du\u0161a.<\/p>\n

Kristina lives comfortably alone, but after three chance meetings with Marko, she wonders whether he is a phantom or her kindred spirit.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Muzej revolucije\u00a0\/\u00a0Museum of the Revolution<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2021 \/ 91\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Sr\u0111an Ke\u010da<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Vanja Jambrovi\u0107, Sr\u0111an Ke\u010da<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Uzrok, Restart<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

vanja@restarted.hr<\/span><\/a><\/p>\n

U ostacima napu\u0161tenog utopijskog projekta, \u017eivot opstaje u obliku jedne \u017eestoke devoj\u010dice. Dok se grad oko nje transformi\u0161e, nazire se i kraj njenim detinjim snovima.<\/p>\n

Inside the remnants of an abandoned utopian project, a young life persists in the form of a fierce little girl. As the city around her transforms, so looms an end to childhood dreams.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Od sumraka do smisla \u2013 Raspad, pri\u010da prva\u00a0\/\u00a0From twilight to the insight \u2013 The decomposition, chapter #1<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 50\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Mateja Rackov, Jovan Borozan<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Lazar Strugar, Vesna Strugar<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Marko Manojlovi\u0107, Milan, Zoran \u017divan\u010devi\u0107, Milan Peki\u0107, Merima \u017divanovi\u0107, Lazar Strugar<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Zoran \u017divan\u010devi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Marita Zapadni Balkan<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

zokart@gmail.com<\/span><\/a><\/p>\n

Film prikazuje poslednju fazu zavisnosti, kako bi se otvorile glavne teme predrasuda i pogre\u0161nih \u017eivotnih stavova, kako me\u0111u narkomanima tako i u dru\u0161tvu. Autor vodi razgovore sa zavisnicima, \u010dlanovima njihovih porodica i osobama koje se profesionalno bave rehabilitacijom, prevencijom i suzbijanjem zloupotrebe droga. Glavni cilj serije je edukacija radi prevencije zavisnosti.<\/p>\n

This movie shows the last stage of addiction to open the main topics of prejudice and wrong life statements both among drug addicts and in society. The auteur leads conversations with addicts, their family members, and people that are professionally involved in rehabilitation, prevention, and suppression of drug abuse. The main purpose of this series is education to prevent addiction.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

OFLAG XIII-B\u00a0\/\u00a0OFLAG XIII-B<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 81\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

\u0110or\u0111e Milosavljevi\u0107 Gera<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Mihajlo Vitezovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

\u0110or\u0111e Kadijevi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Goran Ikoni\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

VFC Zastava film<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

najtovic@gmail.com<\/span><\/a><\/p>\n

Tragom svog oca, koji je tokom Drugog svetskog rata odveden u nema\u010dko zarobljeni\u0161tvo da se vi\u0161e ne vrati, re\u017eiser \u0110or\u0111e Kadijevic\u0301 nalazi to \u0161to ga je u\u010dinilo onim \u0161to je danas.<\/p>\n

Following the traces of his father, who was taken to captivity in Germany during WWII and never returned, film director \u0110or\u0111e Kadijevi\u0107 finds what made him what he is now.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Okovan u slobodi \u2013 Miroslav Anti\u0107\u00a0\/\u00a0Chained in Freedom \u2013 Miroslav Anti\u0107<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 94\u2019 31\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Aleksandar Kari\u0161ik<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Dobrila Radak, Aleksandar Kari\u0161ik, Sini\u0161a Bosan\u010di\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Miodrag Petrovi\u0107, Nikolina Spasi\u0107, Milan Novakovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Aleksandar Kari\u0161ik, Olgica Aguci\u0107 Ninkov<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Panorama+, Novi Sad<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

sasa.karisik@gmail.com<\/span><\/p>\n

Dokumentarni film o Miroslavu Anti\u0107u koji obuhva sve aspekte njegovog rada: u knji\u017eevnosti, slikarstvu, filmu, ali i njegov manje poznat ali veoma zna\u010dajan doprinos, koji je dao kao urednik i novinar. Prikazuje ga kao \u010doveka osebujne li\u010dnosti, koji je mnogo vi\u0161e od boema i de\u010dijeg pesnika. \u017divot i delo ovog velikana renesansnog duha, opisani su kroz intervjue sa savremenicima, stru\u010dnjacima iz oblasti knji\u017eevnosti, likovne umetnosti, filma i \u010dlanovima porodice, uz ilustracije bogatom arhivskom gra\u0111om. O Miroslavu Anti\u0107u u filmu govore: Mira Banjac, Boris Isakovi\u0107, Petar \u2013 Peca Popovi\u0107, Ljubivoje R\u0161umovi\u0107, \u017delimir \u017dilnik, Petar Latinovi\u0107, Igor Anti\u0107, Ru\u017ea Suboti\u0107, Miodrag Petrovi\u0107, Slobodan Stani\u0161i\u0107, Nemanja Rotar, Dragana V Todoreskov, Danilo Vuksanovi\u0107, Tereza Jovanovi\u0107, Ilija Ika Ba\u0161i\u0107, Sr\u0111an Ili\u0107, Dragoljub Badrljica, Sre\u0107ko Lazi\u0107, Du\u0161an Vukojev.<\/p>\n

A documentary about Miroslav Antic covers all aspects of his work, in the literary field, painting, and film, but also his lesser-known but very significant contribution as an editor and journalist. The film shows Miroslav Anti\u0107 as a man with a distinctive personality who is much more than a bohemian and a children\u2019s poet. It describes the life and work of this great Renaissance man through interviews with contemporaries, experts in literature, fine arts, film, and family members, and is illustrated with rich archival material. Mira Banjac, Boris Isakovi\u0107, Petar \u2013 Peca Popovi\u0107, Ljubivoje R\u0161umovi\u0107, \u017delimir \u017dilnik, Petar Latinovi\u0107, Igor Anti\u0107, Ru\u017ea Suboti\u0107, Miodrag Petrovi\u0107, Slobodan Stani\u0161i\u0107, Nemanja Rotar, Dragana V Todoreskov, Danilo Vuksanovi\u0107, Tereza Jovanovi\u0107, Ilija Ika Ba\u0161i\u0107, Sr\u0111an Ili\u0107, Dragoljub Badrljica, Sre\u0107ko Lazi\u0107 and Du\u0161an Vukojev talk in front of the camera about Miroslav Anti\u0107.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Pejza\u017ei Panonske paprati\u00a0\/\u00a0Landscapes of Panonian ferns<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 60\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Marko Cveji\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Marko Cveji\u0107, Tom Gomizelj<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Mandragora film & Luksuz produkcija<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

mandragorafilm@gmail.com<\/span><\/a><\/p>\n

Panonskog nestalo je mora, ostala su kukuruzna polja. Ljudi izdaleka do\u0161li su u polja i visoko podigli svoje barjake, da poka\u017eu put bra\u0107i izdaleka koja su krenula u obe\u0107an svet. Pejza\u017ei ve\u010dernjeg neba nad ravnicom oslikavaju unutra\u0161nje pejza\u017ee nepreglednih pustara, usamljenih ljudi, ukro\u0107ene zemlje, mirnih reka, zajedni\u010dkog su\u017eivota.<\/p>\n

The Panonian sea is gone, only cornfields remain. The people from afar reached the fields and raised their banners high to show the path to their brethren from afar, leaving for the promised world. The landscapes of the evening sky over the plain depict the inner landscapes of endless wastelands, lonely people, tamed lands, peaceful rivers, common coexistence.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Vojni\u010dke ljubavi zauvek\u00a0\/\u00a0Soldiers\u2019 Loves Forever<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 54\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

\u017deljko Mirkovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Dragan Krstoni\u0161i\u0107, Milan Ristanovi\u0107, Damir Kula\u0161i\u0107, Sa\u0161a Rangelov, Dragan Baj\u0161anski<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Goran Ikoni\u0107, \u017deljko Mirkovi\u0107<\/strong><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Zastava film<\/strong><\/p>\n

Koproducentska ku\u0107a \/\u00a0Co-production company<\/span><\/p>\n

Optimistic film<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

zastavafilm@vs.rs<\/span><\/a><\/p>\n

Ne postoji pravo vreme za ljubav. Ne postoji pravo vreme za porodicu. Pravo vreme, ono se ne \u010deka. Pravo vreme ne\u0107e do\u0107i. Pravo vreme zavisi od nas. Pravo vreme je uvek tu. Ne boj se. Zaplovi i na\u0107i \u0107e\u0161 ga.<\/p>\n

There\u2019s no right time for love. There\u2019s no right time for starting a family. You don\u2019t wait for the right time. The right time won\u2019t come. The right time depends on us. The right time is always there. Don\u2019t be afraid. Set sail, and you will find it.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Yu<\/span>\u00a0grupa \u2013 Trenutak sna\u00a0\/\u00a0Yu Grupa \u2013 A Fleeting Dream<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 86\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Darko Lungulov<\/strong><\/p>\n

Akteri \/\u00a0Participants<\/span><\/p>\n

\u017dika Jeli\u0107, Dragi Jeli\u0107, Petar Jeli\u0107, Ra\u0161a \u0110elma\u0161, Dragoljub \u0110uri\u010di\u0107, Sa\u0161a Radojevi\u0107 \u017dule, Peca Popovi\u0107, Sini\u0161a \u0160karica<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Papa Films<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

darkolun@gmail.com<\/span><\/a><\/p>\n

Pri\u010da o rokenrol grupi koja je nad\u017eivela zemlju po kojoj je dobila ime, ali i pri\u010da o porodici. Film prati trojicu bra\u0107e Jeli\u0107 koji se ra\u0111aju i odrastaju zajedno sa novom Jugoslavijom, 1940-ih godina. Epsko, ali istovremeno i duboko intimno ostvarenje, kreativno koristi do sada neobjavljivane porodi\u010dne Super 8 filmove i arhivski materijal da bi ispri\u010dao pri\u010du o trajanju, ljubavi i borbi. U ovaj jedinstven film, sniman sedam godina, a montiran du\u017ee od dve godine, stalo je 80 godina \u017eivota, 60 i ne\u0161to godina sviranja rokenrola, 50 i ne\u0161to godina YU Grupe i 45 godina jedne biv\u0161e zemlje.<\/p>\n

A story about a rock and roll group that outlived the country it was named after, but also a family story. The film follows the three Jeli\u0107 brothers, born and raised along with the new Yugoslavia in the 1940s. An epic yet profoundly personal work, it creatively uses previously unreleased family Super 8 films and archival footage to tell a story of endurance, love and struggle. Eighty years of life, 60+ years of playing rock and roll, 50+ years of YU Grupa and 45 years of a former country went into this unique film, which took seven years in production and more than two years in post-production.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Zima jednog prole\u0107a\u00a0\/\u00a0The Winter of one Spring<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 88\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Milan Nikodijevi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Predrag Pega Popovi\u0107, Goran Markovi\u0107, Sr\u0111an Karanovi\u0107, Rajko Grli\u0107, Lordan Zafranovi\u0107, Bogoljub \u0160ijakovi\u0107, Zoran \u0110or\u0111evi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milan Nikodijevi\u0107, Sini\u0161a Bokan<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

\u0160tap&Kanap\u00a0Production, Arbos Production<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

mnikodijevic007@gmail.com<\/span><\/a><\/p>\n

Ovo je pri\u010da o poznatoj fotografiji mrtvog Jana Palaha i njenom autoru, o izazovima i strahovima, o cenzuri i autocenzuri u turbulentnom vremenu Pra\u0161kog prole\u0107a i vojne intervencije SSSR 1968. u tada\u0161njoj \u010cehoslova\u010dkoj. Svoje vi\u0111enje ovih doga\u0111aja, sa distancom od pedeset godina, daju filmski autori Predrag Pega Popovi\u0107, Goran Markovi\u0107, Sr\u0111an Karanovi\u0107, Rajko Grli\u0107 i Lordan Zafranovi\u0107, koji su u to vreme studirali na FAMU u Pragu i aktivno u\u010destvovali u tim de\u0161avanjima. Kasnije, kada su po\u010deli da realizuju svoja filmska ostaverenja u kinematogtrafiji nekada\u0161nje Jugoslavije, svrstani su u \u201e\u010de\u0161ku \u0161kolu\u201c koja je iznedrila neke od najzna\u010dajnijih filmova zemlje koja vi\u0161e ne postoji.<\/p>\n

Predrag Popovi\u0107, Goran Markovi\u0107, Sr\u0111an Karanovi\u0107, Rajko Grli\u0107 and Lordan Zafranovi\u0107 talk about the Russian intervention in Czechoslovakia in 1968. Predrag Popovi\u0107 is one of the few people who photographed the body of Jan Palach in the Prague morgue. Those photos were published as great exclusivity by the world\u2019s leading magazines. This film tells the story of how Popovi\u0107 managed to take those photos at a time when Soviet tanks were still on the streets of Prague. He gave out the photos, but he also set one strange condition \u2013 that he should not be signed as the author. This information opens up new levels of this story.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Zoki, Bo\u017ea, Duh\u00a0\/\u00a0Zoki, Bo\u017ea, Duh<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 55\u2019 55\u2019\u2019<\/p>\n

Re\u017eija i produkcija \/\u00a0Directed and produced by<\/span><\/p>\n

Gregor Zupanc<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Gregor Zupanc, Stevan Lung<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Zoran Tairovi\u0107, Bo\u017eidar Mandi\u0107, Sini\u0161a Mar\u010dek<\/strong><\/p>\n

Izvr\u0161na produkcija \/\u00a0Executive production<\/span><\/p>\n

Sr\u0111a Vu\u010do<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Zupanc Studio, RTS<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

zupancstudio@gmail.com<\/span><\/a><\/p>\n

Film o trojici srpskih umetnika, Zokiju (56), Bo\u017ei (70) i Duhu (38), \u010dija se umetnost razlikuje u estetici, koji imaju sasvim razli\u010dite \u017eivotne puteve, ali su u su\u0161tini veoma sli\u010dni. Na\u0161li su na\u010din da pre\u017eive rat, ekonomske sankcije i balkansko ludilo kroz univerzalni umetni\u010dki jezik, da ne budu zarobljeni u lokalnim temama.<\/p>\n

Film about three Serbian male artists, Zoki (56), Bo\u017ea (70) and Duh (38), whose art has different aesthetics, whose life paths are opposite but who are in the core of their being very similar. They found their own way to survive the war, economic sanctions and Balkan madness through universal art language, not being trapped in local subjects.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

Selektori doma\u0107eg takmi\u010darskog programa 70. Martovskog festivala:<\/strong><\/p>\n

Igor M. Toholj (filmski autor, producent i programer), Sa\u0161a Radojevi\u0107 (filmski kriti\u010dar, reditelj i scenarista) i Miroljub Stojanovi\u0107 (filmski kriti\u010dar, publicista i urednik) takmi\u010darskog programa<\/strong><\/p>\n

Umetni\u010dki direktor Martovskog festivala: Dejan Dabi\u0107<\/strong><\/p>\n

Martovski festival \u2013 70. Beogradski festival dokumentarnog i kratkometra\u017enog filma, stalna manifestacija u oblasti kulture od zna\u010daja za Grad Beograd, bi\u0107e odr\u017ean od 28. marta do 2. aprila 2023. godine u Domu omladine Beograda, koji je organizator i izvr\u0161ni producent doga\u0111aja.<\/strong><\/p>\n <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-258","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nSELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-preko-50-minuta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-preko-50-minuta\/\" \/>\n<meta property=\"og:site_name\" content=\"Martovski festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MartovskiFestival\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T07:10:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"354\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n<meta name=\"twitter:site\" content=\"@MartovskiF\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/\",\"url\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/\",\"name\":\"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival\",\"isPartOf\":{\"@id\":\"https:\/\/2023.martovski.rs\/#website\"},\"datePublished\":\"2023-02-24T21:11:23+00:00\",\"dateModified\":\"2023-03-28T07:10:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2023.martovski.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2023.martovski.rs\/#website\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"name\":\"Martovski festival\",\"description\":\"70. BEOGRADSKI FESTIVAL DOKUMENTARNOG I KRATKOMETRA\u017dNOG FILMA\",\"publisher\":{\"@id\":\"https:\/\/2023.martovski.rs\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/2023.martovski.rs\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/2023.martovski.rs\/#organization\",\"name\":\"Martovski festival\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/2023.martovski.rs\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/martovski.rs\/wp-content\/uploads\/2023\/03\/70.-Martovski.png\",\"contentUrl\":\"https:\/\/martovski.rs\/wp-content\/uploads\/2023\/03\/70.-Martovski.png\",\"width\":1200,\"height\":630,\"caption\":\"Martovski festival\"},\"image\":{\"@id\":\"https:\/\/2023.martovski.rs\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/MartovskiFestival\",\"https:\/\/twitter.com\/MartovskiF\",\"https:\/\/www.instagram.com\/martovskifestival\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-preko-50-minuta\/","og_locale":"en_US","og_type":"article","og_title":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival","og_url":"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-preko-50-minuta\/","og_site_name":"Martovski festival","article_publisher":"https:\/\/www.facebook.com\/MartovskiFestival","article_modified_time":"2023-03-28T07:10:21+00:00","og_image":[{"width":680,"height":354,"url":"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png","type":"image\/png"}],"twitter_card":"summary_large_image","twitter_title":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival","twitter_image":"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png","twitter_site":"@MartovskiF","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/","url":"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/","name":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA | Martovski festival","isPartOf":{"@id":"https:\/\/2023.martovski.rs\/#website"},"datePublished":"2023-02-24T21:11:23+00:00","dateModified":"2023-03-28T07:10:21+00:00","breadcrumb":{"@id":"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-preko-50-minuta\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/2023.martovski.rs\/"},{"@type":"ListItem","position":2,"name":"SELEKCIJA DOKUMENTARNOG FILMA PREKO 50 MINUTA"}]},{"@type":"WebSite","@id":"https:\/\/2023.martovski.rs\/#website","url":"https:\/\/2023.martovski.rs\/","name":"Martovski festival","description":"70. BEOGRADSKI FESTIVAL DOKUMENTARNOG I KRATKOMETRA\u017dNOG FILMA","publisher":{"@id":"https:\/\/2023.martovski.rs\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/2023.martovski.rs\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/2023.martovski.rs\/#organization","name":"Martovski festival","url":"https:\/\/2023.martovski.rs\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/2023.martovski.rs\/#\/schema\/logo\/image\/","url":"https:\/\/martovski.rs\/wp-content\/uploads\/2023\/03\/70.-Martovski.png","contentUrl":"https:\/\/martovski.rs\/wp-content\/uploads\/2023\/03\/70.-Martovski.png","width":1200,"height":630,"caption":"Martovski festival"},"image":{"@id":"https:\/\/2023.martovski.rs\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/MartovskiFestival","https:\/\/twitter.com\/MartovskiF","https:\/\/www.instagram.com\/martovskifestival\/"]}]}},"_links":{"self":[{"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/pages\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/comments?post=258"}],"version-history":[{"count":51,"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/pages\/258\/revisions"}],"predecessor-version":[{"id":1755,"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/pages\/258\/revisions\/1755"}],"wp:attachment":[{"href":"https:\/\/2023.martovski.rs\/en\/wp-json\/wp\/v2\/media?parent=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}