{"id":500,"date":"2023-03-11T20:03:37","date_gmt":"2023-03-11T20:03:37","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=500"},"modified":"2023-03-28T07:11:38","modified_gmt":"2023-03-28T07:11:38","slug":"selekcija-dokumentarnog-filma-do-50-minuta","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-do-50-minuta\/","title":{"rendered":"SELECTION OF DOCUMENTARY FILM UP TO 50 MINUTES"},"content":{"rendered":"
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Predstavljamo program filmova iz selekcije 70. Martovskog festivala, koji se takmi\u010de u kategoriji dokumentarnog filma do 50 minuta.<\/h2>\n \n
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Agape\u00a0\/\u00a0Agape<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 5\u2019 31\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Jovana Pejovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademija umetnosti, Beograd<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

jovanapejovic1009@gmail.com<\/span><\/a><\/p>\n

Volonteri pripremaju obroke za korisnike koji \u010dekaju okupljeni u hodnicima VDS-a. Ljudi koji dolaze da se hrane nose neprestano sa sobom svoje te\u0161ke sudbine i osec\u0301aj da ih je dru\u0161tvo odbacilo. Tokom kontakta sa volonterima, topla re\u010d i ljubav bude u njima nadu i toplinu. Ali, uprkos vremenu koje provode tamo, izvan kuhinje ih \u010deka neumoljivi svet.<\/p>\n

Volunteers prepare meals for waiting beneficiaries and gather in the VDS corridors. People who come to feed themselves carry their difficult fates and the feeling of being rejected by society constantly with them. When interacting with volunteers, a warm word and love awaken hope and warmth in them. But despite the time they spend there, the unforgiving world outside the kitchen gates awaits them.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Beogradski pupoljak\u00a0\/\u00a0Belgrade Bloom<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 20\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Danilo Stanimirovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Nikoli\u0107 <\/strong><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/ Contact<\/span><\/p>\n

danilostanimirovicff@gmail.com<\/span><\/a><\/p>\n

Milan Kli\u010dkovi\u0107 je mladi umetnik od sedamdesetak godina koji je odlu\u010dio da bude srec\u0301an. Kroz rad na svojim skulpturama bavi se samo estetskim aspektom umetnosti, insistiraju\u0107i na svojoj sre\u0107i bez obzira na probleme koji ga okru\u017euju.<\/p>\n

Milan Kli\u010dkovi\u0107 is a young artist, about seventy years old, who decided to be happy. Through the work on his sculptures, he deals only with the aesthetic aspect of art, insisting on his happiness regardless of anything that surrounds him.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Drugi avgust\u00a0\/\u00a0August 2nd<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2023 \/ 11\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Na\u0111a Petrovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Aleksandra Korda Petrovi\u0107, Vladimir Petrovi\u0107, Na\u0111a Petrovi\u0107, Mila Ili\u0107, Da\u0161a Ili\u0107, Ninoslava Ili\u0107, Sun\u010dica Petrovi\u0107,\u00a0 Milica Korda, Ljubomir Korda, Maja \u0110ur\u0111evi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Na\u0111a Petrovi\u0107, Aleksa Bartol<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Fakultet dramskih umetnosti, Beograd<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

nadjawhite5@gmail.com<\/span><\/a><\/p>\n

Gledaju\u0107i snimak sa svog prvog ro\u0111endana autorka preispituje svoja se\u0107anja, bori se sa zaboravom i poku\u0161ava da sastavi sliku onih koji vi\u0161e nisu tu.<\/p>\n

As the auteur watches the home video of her first birthday celebration, she battles oblivion and tries to create an image of those who are no longer here.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Gligori\u0107eva Mar del Plata \u2013 Kraljevska indijska varijanta\u00a0\/\u00a0Gligori\u0107\u2019s Mar del Plata \u2013 King\u2019s Indian Variant<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 8\u2019 45\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Ognjen Rak\u010devi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Radomir Nikoli\u0107, Nikola Krneta<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Olimp produkcija & Velikani 021<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

ognjen.rakcevic@gmail.com<\/span><\/a><\/p>\n

Svetozar Gligori\u0107 je na\u0161 najbolji \u0161ahista svih vremena. Njegova varijanta kraljeve indijske odbrane iz 1953. godine se i dalje igra na \u0161ahovskim turnirima i ona je glavna tema ovog multimedijalnog i interaktivnog filma. Zvu\u010dna pozadina filma je u potpunosti delo Svetozara Gligori\u0107a i to tako \u0161to je od mnogobrojnih Gligori\u0107evih intervjua, izmontiran glas naratora, a njegova originalno komponovana muzika iskori\u0161\u0107ena je za muziku u filmu. Film je doktorski umetni\u010dki rad producenta Ognjena Rak\u010devi\u0107a, docenta na Katedri za filmsku i TV produkciju Fakulteta dramskih umetnosti.<\/p>\n

Svetozar Gligori\u0107 is the all-time best chess player in Serbia. His 1953 variant of the King\u2019s Indian Defense is still played in chess tournaments and is the central theme of this multimedia and interactive film. The film\u2019s background sound is entirely the work of Svetozar Gligori\u0107, as the narrator\u2019s voice was edited from numerous interviews with Gligori\u0107, and his original music was used for the film score. The film is the doctoral work of producer Ognjen Rak\u010devi\u0107, assistant professor at the Department of Film and TV Production at the Faculty of Dramatic Arts.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Ju\u010de je ono \u0161to nikada nije bilo\u00a0\/\u00a0Yesterday is what never was<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 10\u2019 25\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Nikola Nikoli\u0107, Nikola Topalovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

\u0110en\u0111a Sila\u0111i<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milan Milosavljevi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademski filmski centar<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

nn2510oo@gmail.com<\/span><\/a><\/p>\n

Pri\u010da o samohranoj majci, koja u maloj vi\u0161enacionalnoj sredini, izme\u0111u posla i maj\u010dinstva, nalazi vremena za volonterski rad u Crvenom krstu.<\/p>\n

The story of a single mother who, in a small multi-ethnic environment, between work and motherhood, finds time for volunteer work in the Red Cross.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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La Banda\u00a0\/\u00a0La Banda<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 24\u2032 18\u2033<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Andrej Zoraja<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Nikoli\u0107 <\/strong><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

andrej.zoraja@gmail.com<\/span><\/a><\/p>\n

\u017densku \u201cbandu\u201d na okupu dr\u017ei samo jedna stvar \u2013 ljubav prema muzici.<\/p>\n

This female\u00a0gang<\/em>\u00a0is held together by one thing only \u2013 their passion for music.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Ljubica i Grgur\u00a0\/\u00a0Ljubica and Grgur<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 55\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Nikola Lorencin<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Gordana Zalad, Nikola Lorencin<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Kova\u010devi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

U F Cineaste<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

serbcineaste@yahoo.com<\/span><\/a><\/p>\n

Ovo je pri\u010da o lepoj devojci, Zemunki Ljubici i njenom neo\u010dekivanom poznaniku, tajanstvenom gostu, Grguru. Neobi\u010dan susret Ljubice i Grgura desio se aprila 1950, potrajao je nekoliko godina, a onda su se rastali. Ali ne doveka. Ljubica je se\u0107anje na Grgura u du\u0161i \u010duvala do kraja svog \u017eivota: preminula je 2018. i brojala ve\u0107 89. godinu.<\/p>\n

A story about Ljubica, a beautiful girl from Zemun, and her unexpected acquaintance, a mysterious guest, Grgur. A peculiar meeting between Ljubica and Grgur happened in April 1950, lasted for several years, then they parted. But not forever. Ljubica kept the memory of Grgur in her heart until the end of her life: she passed away in 2018 at the ripe old age of 89.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Ma\u0161a, Mimi i Jana kod deke i bake\u00a0\/\u00a0Ma\u0161a, Mimi and Jana at Grandpa and Grandma\u2019s<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 6\u2032 41\u2033<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written directed and produced by<\/span><\/p>\n

Milena Biseni\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Petar Vasiljevi\u0107, Milica Vasiljevi\u0107-Biseni\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Filmska sekcija Filmkulture<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milenabisenic1@gmail.com<\/span><\/a><\/p>\n

Kola\u017e sada\u0161njosti i pro\u0161losti, o tri sestre koje rastu u toplom domu deke i bake.<\/p>\n

A collage of the present and past about three sisters growing up in their grandpa and grandma\u2019s warm home.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Moj crveni film\u00a0\/\u00a0My Red Film<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 31\u2019 49\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Nenad Pr\u017eulj<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Nikoli\u0107 <\/strong><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

przuljnenad@gmail.com<\/span><\/a><\/p>\n

Autobiografski dokumentarac o li\u010dnoj potrazi za ljubavlju, seksualno\u0161c\u0301u i svemu ostalom.<\/p>\n

An autobiographical documentary about personal searches for love, sexuality and everything in between.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Nada\u00a0\/\u00a0Hope<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 11\u2019 31\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Milo\u0161 \u017divanovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

\u017deljko Ili\u010di\u0107, Violeta A. Jovovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Aleksandar Pavi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademija umetnosti, Beograd<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

jigsaweee@gmail.com<\/span><\/a><\/p>\n

Poput Nojeve barke, u Lapovu, u azilu Staro brdo, dvoje mladih bira svoj put: da spasavaju konje od poplave ljudske zlobe, pru\u017ee im negu posle zlostavljanja i spre\u010de da zavr\u0161e u klanici.<\/p>\n

Like Noah\u2019s Ark, in Lapovo, in the Staro brdo asylum, two young people chose the path to save horses from the flood of human malice, recover them from abuse and prevent them from being taken to the slaughterhouse.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Nema\u010dki a\u0161ov na Kalemegdanu\u00a0\/\u00a0Kalemegdan under the German shovel<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2021 \/ 30\u201937\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Dimitrije Zvonko Markovi\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Dimitrije Markovi\u0107, Tijana Grumi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Ljubomir Bulaji\u0107, Aleksandar Bandovi\u0107, Angelina Bankovi\u0107, Milo\u0161 Spasi\u0107, Lidija Ham<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milo\u0161 Jak\u0161i\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

markovicdika@gmail.com<\/span><\/a><\/p>\n

Neposredno pre Drugog svetskog rata srpske vlasti odlu\u010duju da po nema\u010dkom projektu izgrade Olimpijski stadion na Kalemegdanu. Planovi i makete su napravljeni, a projekat je zapo\u010deo \u010di\u0161\u0107enjem Donjeg grada i arheolo\u0161kim iskopavanjima koja je nadgledala i sprovodila Himlerova nacisti\u010dka organizacija Anenerbe. Za\u0161to im je bilo va\u017eno da iskopavaju na Kalemegdanu? \u0160ta su sve prona\u0161li i gde je taj materijal danas? Kako je na ova iskopavanja reagovala srpska javnost? Kako se u nacisti\u010dkoj Nema\u010dkoj arheologija koristila za \u0161irenje propagande?<\/p>\n

Just before the Second World War, the Serbian authorities decided to build the Olympic Stadium in Kalemegdan, according to a German design. Plans and models were made, the works began with the cleaning of the Lower Town, archaeological excavations were supervised and carried out by Himmler\u2019s Nazi organization, the Anenerbe. Why was it important for them to excavate at Kalemegdan? What did they find, and where are those artifacts today? How did the Serbian public react to these excavations? How was archeology used to spread propaganda in Nazi Germany?<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Pasulj sa kobasicom\u00a0\/\u00a0Golden Wedding<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 10\u2019 45\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Milo\u0161 Radovanovi\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

migovac1233@gmail.com<\/span><\/a><\/p>\n

Deda i baba spremaju se da proslave 50 godina braka u malom selu Veles. Film se bavi strahom autora od gubitka nekog dragog.<\/div>\n
<\/div>\n
Author’s grandparents are getting ready to celebrate 50 years of marriage in a small Serbian village Veles. Film examines the fear of losing someone dear.<\/div>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Prilago\u0111eni\u00a0\/\u00a0Adjusting<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2021 \/ 19\u2019 21\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Dejan Petrovi\u0107<\/strong><\/p>\n

Koprodukcija \/\u00a0Co-produced by<\/span><\/p>\n

Ivica Vidanovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Independent Film Centre Filmart<\/span><\/strong><\/p>\n

Koprodukcijska ku\u0107a \/\u00a0Co-production company<\/span><\/p>\n

Cinnamon Films<\/span><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

info@squareeyesfilm.com<\/span><\/a><\/p>\n

Kroz odbijanje simpati\u010dnog psa da se pokori volji svog dresera, film odra\u017eava relativnost autoriteta koji posti\u017ee poslu\u0161nost sredstvima nagrade i kazne.<\/p>\n

Through looking at a loveable dog\u2019s refusal to submit to the will of her trainer, this film reflects on the relativity of any authority that renders us obedient through the exercise of reward and punishment.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Prole\u0107e\u00a0\/\u00a0Spring<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2021 \/ 13\u2019 4\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Viktor Horvat<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

\u0110er\u0111 Tapai, Evica Jan\u010do, Du\u0161an Majki\u0107, Ru\u017ea Milin<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Nikola Pavlovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademija umetnosti, Beograd<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

vhorvat999@gmail.com<\/span><\/a><\/p>\n

Kratkometra\u017eni poetski dokumentarac o korisnicima stara\u010dkog doma, koji u njemu provode svoje poslednje dane trudec\u0301i se da ne izgube volju za \u017eivotom, uprkos \u201ebe\u017eivotnom\u201c okru\u017eenju.<\/p>\n

A short poetic documentary about nursing home users who are living their last stage of life, trying not to lose the will to live, despite the\u00a0lifelessness<\/em>\u00a0surrounding them.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Rudarke\u00a0\/\u00a0Female Miners<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 36\u2019 30\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Marija \u0110okovi\u0107, Nata\u0161a Jankovi\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Marija \u0110okovi\u0107, Nata\u0161a Jankovi\u0107, Milo\u0161 S. Pavlovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Milanka Mileti\u0107, Jasmina Simi\u0107, Sla\u0111ana Stojadinovi\u0107, Nata\u0161a Jevti\u0107 Bailovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Marija \u0110okovi\u0107, Damir Romanov, Nata\u0161a Jankov<\/strong>i\u0107<\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Edukativno-Nau\u010dna Filmska Mre\u017ea ENFM<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

happy_hippie85@yahoo.com<\/span><\/a><\/p>\n

Film prati dve nedelje u \u017eivotima \u017eena koje rade u rudniku mrkog uglja \u201eRembas\u201c. Jasmina je prva \u017eena koja je postala upravnik rudnika, dok je Milanka poslednja koja je ostala uklju\u010dena u proces separacije uglja. Dok njih dve \u010dvrsto veruju da su ravnopravne sa svojim mu\u0161kim kolegama, ostale rudarke ne mogu a da se ne zapitaju da li su zaista imale koristi od feminizma.<\/p>\n

Film follows two weeks in the lives of the women working in the brown coal mine\u00a0Rembas<\/em>. Jasmina is the first woman to have become mining site manager, whereas Milanka is the last one to have remained involved in the coal separation process. While the two of them firmly believe that they are equal to their male colleagues, the rest of the female miners cannot help but wonder whether they have truly benefited from feminism.<\/span><\/p>\n

Regional premiere<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Spomenik\u00a0\/\u00a0The Monument<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 27\u2019 43\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Milena Petrovi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Sr\u0111an \u0110uri\u0107, Slobodan Majstorac, Milo\u0161 Perovi\u0107, Atila Feher, Laslo Sila\u0111i, \u017du\u017eana \u010ciko\u0161<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Nikoli\u0107 <\/strong><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milena.petrovic25@yahoo.com<\/span><\/a><\/p>\n

Pri\u010da o spomeniku koji jo\u0161 nije podignut, ali izaziva burne reakcije Novosa\u0111ana.<\/p>\n

The story of a monument that has not yet been erected, but causes intense reactions from the people of Novi Sad.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Sva\u010dija unuka\u00a0\/\u00a0Everybody\u2019s Granddaughter<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 23\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Svetlana \u0106opi\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Svetlana Kosti\u0107, Ana Kova\u010devi\u0107, Ru\u017eica Rosandi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Ivana Pani\u0107, Mili\u0161 \u0110ukeli\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Red Art Workshop<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

cecilijacopic@gmail.com<\/span><\/a><\/p>\n

Film pokre\u0107e u nama najdublja pitanja o \u017eivotnim izborima, ali nas suo\u010dava i sa neminovnom staro\u0161\u0107u, preispituju\u0107i na\u010din na koji se savremeno dru\u0161tvo odnosi prema ovom marginalizovanom delu populacije.<\/p>\n

Film initiates in us the deepest questions about our own life choices, but also faces us with inevitability of old age, while questioning the way contemporary society treats this marginalized part of population.<\/span><\/p>\n

Regional premiere<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Ulica nade\u00a0\/\u00a0Street of Hope<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 14\u2019 30\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

An\u0111ela Dabi\u0107, Tamara Radojkovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milan Milosavljevi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademski filmski centar DKSG<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milan.milosavljevic@dksg.rs<\/span><\/p>\n

\u201eSamo se deca smeju \/ Jer jo\u0161 ne znaju \/ Da treba da porastu \/ I da drugi izbor nemaju.\u201c<\/p>\n

And only the children laugh \/ Because they don\u2019t know yet \/ That growing old awaits them \/ And that there is no other path.<\/span><\/em><\/p>\n

U krtogu, Nikola Vranjkovi\u0107<\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Znaci \u017eivota\u00a0\/\u00a0Signs of Life<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2021 \/ 34\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Marko Nikoli\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Blagojica Risti\u0107, Zoran Despotovi\u0107. Danijela Milutinovi\u0107, \u0110or\u0111e Erakovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Neboj\u0161a Miljkovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

LUDOVICO FILMS<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

office@talas.info<\/span><\/a><\/p>\n

Film potrage za sudbinom napu\u0161tenih hotela u Srbiji, kroz koje nas vode biv\u0161i zaposleni. Kombinacijom vizuelno i istorijsko-narativnih elemenata, otkrivamo da se u nekada punim salama hotela jo\u0161 uvek kriju sna\u017eni znaci \u017eivota. Dok se ove zgrade koje propadaju hrabro bore za vazduh, njihova sudbina je metafora stanja na\u0161eg dru\u0161tva. Da li da ih eutanaziramo, ubijemo iz milosti i skratimo im muke, ili da u\u010dinimo sve \u0161to mo\u017eemo da ih vratimo u \u017eivot i damo im novu svrhu? Da li bismo obnovom njihovih \u017eivota vratili bar deo onoga \u0161to nam toliko danas nedostaje?<\/p>\n

Film reaches out for the stories behind long-abandoned hotels in Serbia, told by their former employees. Through the combination of visual and historical narrative elements, we discover that once crowded premises still show signs of life. As these rotting buildings are bravely struggling for air, their destiny reveals itself as a metaphor for our society\u2019s present state. Do we euthanize them, deliver the coup de gr\u00e2ce, end their miseries, or do what\u2019s in our power to bring them back to life and give them a new sense of purpose? Would rejuvenating them bring back at least a fragment of what they used to mean to us, that we miss so much today?<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Zvona Notr Dama\u00a0\/\u00a0The Bells of Notre Dame<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 40\u2019 19\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Ivana Had\u017ei-Popovi\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

hadzivana@gmail.com<\/span><\/a><\/p>\n

Da li u politici postoje prijatelji i iskrene emocije? \u0160ta jedna mala zemlja vidi u jednoj velikoj, a \u0161ta velika u maloj?
\nOvo je film o vezama srca, diplomatije i istorijskih doga\u0111aja izme\u0111u Beograda i Pariza, dugim vi\u0161e od veka, kroz jednu beogradsku porodicu.<\/p>\n

Are there friends and honest emotions in politics? What does a small country\u00a0see in a big country and what does a big country see in a small one?
\nThis is a film about the connections of the heart, diplomacy and historical events between Belgrade and Paris for more than a century, through one Belgrade family.<\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

\u017divot daske\u00a0\/\u00a0Life of a Board<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 27\u2019 31\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Leona Jarikj<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Timofey Mikhaylov, Milos Achanski<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

leonajarikj@gmail.com<\/span><\/a><\/p>\n

Pratimo Timija, mladog skejtera, koji kao da uvek mo\u017ee bolje da se izrazi daskom nego re\u010dima.<\/p>\n

We follow Timi, an energetic young skater who always seems to say more with his board than with words.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

Selektori doma\u0107eg takmi\u010darskog programa\u00a0<\/span>70. Martovskog festivala:<\/strong><\/p>\n

Igor M. Toholj (filmski autor, producent i programer), Sa\u0161a Radojevi\u0107 (filmski kriti\u010dar, reditelj i scenarista) i Miroljub Stojanovi\u0107 (filmski kriti\u010dar, publicista i urednik)<\/span>\u00a0takmi\u010darskog programa<\/strong><\/p>\n

Umetni\u010dki direktor Martovskog festivala:\u00a0Dejan Dabi\u0107<\/strong><\/p>\n

Martovski festival<\/a>\u00a0\u2013 70. Beogradski festival dokumentarnog i kratkometra\u017enog filma, stalna manifestacija u oblasti kulture od zna\u010daja za Grad Beograd, bi\u0107e odr\u017ean od 28. marta do 2. aprila 2023. godine u Domu omladine Beograda, koji je organizator i izvr\u0161ni producent\u00a0 doga\u0111aja.<\/strong><\/span><\/p>\n <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-500","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nSELEKCIJA DOKUMENTARNOG FILMA DO 50 MINUTA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-do-50-minuta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SELEKCIJA DOKUMENTARNOG FILMA DO 50 MINUTA | Martovski festival\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2023.martovski.rs\/en\/selekcija-dokumentarnog-filma-do-50-minuta\/\" \/>\n<meta property=\"og:site_name\" content=\"Martovski festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MartovskiFestival\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T07:11:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"354\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"SELEKCIJA DOKUMENTARNOG FILMA DO 50 MINUTA | Martovski festival\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n<meta name=\"twitter:site\" content=\"@MartovskiF\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-do-50-minuta\/\",\"url\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-do-50-minuta\/\",\"name\":\"SELEKCIJA DOKUMENTARNOG FILMA DO 50 MINUTA | Martovski festival\",\"isPartOf\":{\"@id\":\"https:\/\/2023.martovski.rs\/#website\"},\"datePublished\":\"2023-03-11T20:03:37+00:00\",\"dateModified\":\"2023-03-28T07:11:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-do-50-minuta\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-do-50-minuta\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-dokumentarnog-filma-do-50-minuta\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2023.martovski.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SELEKCIJA DOKUMENTARNOG FILMA DO 50 MINUTA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2023.martovski.rs\/#website\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"name\":\"Martovski festival\",\"description\":\"70. 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