{"id":800,"date":"2023-03-14T08:53:43","date_gmt":"2023-03-14T08:53:43","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=800"},"modified":"2023-03-28T07:33:32","modified_gmt":"2023-03-28T07:33:32","slug":"selekcija-eksperimentalnog-filma-i-video-arta","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/selekcija-eksperimentalnog-filma-i-video-arta\/","title":{"rendered":"Experimental film and video art selection"},"content":{"rendered":"
\n \n

Predstavljamo program filmova iz selekcije 70. Martovskog festivala, koji se takmi\u010de u kategoriji eksperimentalnog filma i video arta.<\/h2>\n \n
\n
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Abortus\u00a0\/\u00a0Abortion<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 10\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, dirrected and produced by<\/span><\/p>\n

Luka Maajka Majki\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Nina Putnik, Luka Maajka Majki\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

majkara1998@gmail.com<\/span><\/a><\/p>\n

Ja sam iskra dvoje ljudi koji se vole.<\/p>\n

I am the spark of two people in love with each other.<\/span><\/p>\n

Regional premiere<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Dysmorphia\u00a0\/ Dysmorphia<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 14\u2019 24\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Isidora Bulatovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Dragan Nikoli\u0107 <\/strong><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

beka.bulatovic@gmail.com<\/span><\/a><\/p>\n

Dnevnik mog tela.<\/p>\n

Diary of my body.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Filmski dnevnici\u00a0\/\u00a0Film Diaries<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 19\u2019 47\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Milica Jov\u010di\u0107, Nenad \u0106osi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milan Milosavljevi\u0107<\/strong><\/p>\n

Producentska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademski filmski centar<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

asmitia@gmail.com<\/span><\/a><\/p>\n

Zasnovan na snimcima od 9,5 mm koje je na\u010dinio beogradski kino-amater izme\u0111u dva svetska rata, ovaj film porodi\u010dnu arhivu prikazuje kao odraz istorije Jugoslavije. Put porodice u zemlji koja je obnovljena, a zatim opet nestala potvr\u0111uje re\u010di Kloda Simona da, \u201ciako se i sama ponavlja, istoriju treba da ponovi svaki pojedinac u svom pokolenju.\u201d<\/p>\n

Based on 9.5 mm found footage filmed by a Belgrade cine amateur between the two world wars, this film looks into the private family archive as a reflection of Yugoslav history. Following the life of his family in the country that was rebuilt and disappeared again, it confirms the words of Claude Simon that\u00a0although it repeats itself \u2013 history should be repeated by every individual in his generation<\/em>.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Jedan\u00a0\/\u00a0One<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2023 \/ 15\u2019 54\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Nadine Poulain<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Milan Milosavljevi\u0107<\/strong><\/p>\n

Koprodukcija \/\u00a0Co-produced by<\/span><\/p>\n

Nadine Poulain<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademski filmski centar DKSG<\/strong><\/p>\n

Koprodukcijska ku\u0107a \/\u00a0Co-production company<\/span><\/p>\n

M\u00e1s Media Production<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milan.milosavljevic@dksg.rs<\/span><\/a><\/p>\n

Film prikazuje godi\u0161nji prsten (god) drveta koji, izdvojen i blistav, podse\u0107a na planetu. Pred mrklom crnom pozadinom, prsten se pojavljuje, nestaje i ponovo se pojavljuje, nekad iznenada, nekad postepeno. Menja se njegova veli\u010dina i ugao pod kojim se vidi. Ispituju\u0107i granice percepcije, spljo\u0161tenost kruga ustupa mesto trodimenzionalnom obliku. Svedene, ali veli\u010danstvene slike prelaze u muziku intenzivno visokih nota i ekstremnog basa. Onostran i neuhvatljiv, \u201eJedan\u201c vodi gledaoca na putovanje koje spaja zemaljsko i kosmi\u010dko, stvarnost i ma\u0161tu.<\/p>\n

The film features an annual growth ring of a tree that, being singled out and possessing a radiant glow, evokes a sense of the planetary. In front of a pitch black backdrop, the ring appears, disappears and reappears, at times suddenly, at other times gradually. What changes is its scale and the angle it is seen in. Testing out the frontiers of perception, the flatness of the circular shape gives way to a three-dimensional object. The minimal, yet grand imagery unfolds to a musical soundtrack of intensely high notes and an extreme bass. Otherworldly and intangible,\u00a0One<\/em>\u00a0takes the viewer on a journey that amalgamates earthly and cosmic spheres, the real and the imaginary.<\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Mikstejp projekat\u00a0\/\u00a0Mixtape Project<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 15\u2019 11\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Nevena Popovi\u0107<\/strong><\/p>\n

Animacija \/ Animation<\/p>\n

Dejan Vu\u010deti\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

nushkaa@gmail.com<\/span><\/a><\/p>\n

Kao oma\u017e jednom od najpoznatijih Ravelovih dela \u2013 \u201eBolero\u201c, Mikstejp projekat je eksperimentalni muzi\u010dki video koji istra\u017euje procese tehnologije, ponavljanja i mesto dana\u0161njeg \u010doveka u modernom dobu, a time i njegovu potrebu za eskapizmom \u2013 ovog puta, potreba je dnevna doza duvana.<\/p>\n

As a tribute to one of Ravel\u2019s most famous works \u2013\u00a0Bolero<\/em>, the Mixtape project presents an experimental music video that explores the processes of technology, repetition, and the place of present-day humans in the modern age, and thus their need for escapism \u2013 this time in their need of a daily smoke.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Moje ostrvo\u00a0\/\u00a0My Island<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 4\u2019 22\u2019\u2019<\/p>\n

Scenario, re\u017eija, produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Stefana Savi\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

shtefica@gmail.com<\/span><\/a><\/p>\n

\u017denski lik (sama autorka) hoda kroz vodu prema obli\u017enjem ostrvu. Iako blizu, ostrvo kao metafora li\u010dnog prostora i slobode, postaje sve udaljenije a njen hod, ispresecan postupcima monta\u017ee, sve du\u017ei. Pod pritiskom prepreka i ograni\u010denja, kona\u010dno se otvara polje njene li\u010dne ma\u0161te, gde sve postaje mogu\u0107e.<\/p>\n

A female character (the author herself) walks through the water towards a nearby island. Although close, the island, as a metaphor for personal space and freedom, becomes more and more distant, and its course, interspersed with editing procedures, becomes longer and longer. Under the pressure of obstacles and limitations, the field of her personal imagination finally opens up, where everything becomes possible.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Nestabilni pejza\u017ei\u00a0\/\u00a0Unstable Landscapes<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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2022 \/ 3\u2019 10\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

artterror<\/span>: Milica Lap\u010devi\u0107, Vladimir \u0160ojat<\/strong><\/p>\n

Scenario i produkcija \/\u00a0Written and produced by<\/span><\/p>\n

Vladimir \u0160ojat<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Frakcija<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

m.vondada@gmail.com<\/span><\/a><\/p>\n

Nestabilnost pejza\u017ea predstavlja nestabilnost ljudskog stanja: tehnologija igra odlu\u010dujuc\u0301u ulogu u tom otkrivanju.<\/p>\n

The instability of the landscape represents the instability of the human condition: technology has a decisive role in revealing it.<\/span><\/p>\n

Svetska festivalska premijera<\/strong>\u00a0\/\u00a0World festival premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Pera ne zna kad mu se \u017eena porodila, a kamoli nilski konj\u00a0\/\u00a0Pera doesn\u2019t know when his wife gave birth, let alone a hippo<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 10\u2019 39\u2019\u2019<\/p>\n

Scenario, re\u017eija i monta\u017ea \/\u00a0Written, directed and edited by<\/span><\/p>\n

Teodora Arsi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Sara E\u0107imovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Fakultet za medije i komunikacije<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

arsic.dora63@gmail.com<\/span><\/a><\/p>\n

Hotel \u201eZoo\u201c na brdu je pun gostiju, divljih gostiju. Ptice, tigrovi, lavovi, zmije, orlovi\u2026 Stari gosti ne odlaze, a novi neprestano sti\u017eu. Vremenom nastaje panika. Ptice histeri\u010dno lete, tigrovi ri\u010du, zmije sik\u0107u. Svi \u017eele da budu izle\u010deni i prostor im je jedini lek. Mogu ih spasiti samo \u010duvari, stvorenja koja nikada nisu upoznala druga\u010diju sudbinu od svoje. Ta stvorenja imaju osobine sli\u010dne njihovim, ali govore drugim jezikom, tako da se njihove nade i snovi ne mogu ostvariti, ali uvek na\u0111u na\u010din da komuniciraju. Umesto ozdravljenja, \u010dovek im nudi ne\u0161to drugo. Divlje stvorenje u njima je pripitomljeno. Kriza je re\u0161ena, \u017eivotinje su se povukle u \u0107o\u0161kove svojih prostorija. Nastavljaju da \u017eive, ali sada u svojim snovima. Ne postavljaju pitanja, samo \u0107ute, \u017eude\u0107i za slobodom.<\/p>\n

In the Zoo Hotel on the hill there are many guests, wild guests. Birds, tigers, lions, snakes, eagles\u2026 The old guests don\u2019t leave, and the new guests keep arriving. As time passes, panic erupts. Birds fly hysterically, tigers roar, snakes hiss. They all want to be healed and space is their only cure. They can only be saved by the guards, creatures that have never known a different fate then their own. Those creatures have features similar to theirs, but they speak in different tongues, so their hopes and dreams can\u2019t be answered, but they always find a way to communicate. Instead of healing, man offers them something else. That wild thing inside them is tamed. The crisis is eliminated, the animals have retreated into the corners of their rooms. They continue to live, but now in their dreams. They don\u2019t ask questions, they just stay silent longing for freedom.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Povratak ku\u0107i\u00a0\/\u00a0The Return Home<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 16\u2019 25\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Nikola Poli\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Kino radionica<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

kinoradionica@gmail.com \u00a0<\/span><\/a><\/p>\n

U potpunoj izolaciji, umetnik preispituje gde su nestali planovi za budu\u0107nost koje je nekad imao.<\/p>\n

In complete isolation, the artist examines where all the plans for the future he once had have gone.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Rupa u du\u0161i\u00a0\/\u00a0Hole in the Soul<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 10\u2019<\/p>\n

Scenario, re\u017eija, produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Nikola Uzelac<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Fakultet dramskih umetnosti, Beograd<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

nikolauzelac212@gmail.com<\/span><\/a><\/p>\n

Eksperimentalni\u00a0found footage<\/em>\u00a0film, sa\u010dinjen od izgubljenih filmskih traka i odlomaka iz raznih filmova. Poput kola\u017ea, kroz razli\u010dite iscepkane sekvence i vizuelne apstrakcije, film govori o isfrustriranom bra\u010dnom paru.<\/p>\n

An experimental found footage film assembled from lost filmstrips and different movie clips. Like a collage, the film tells a story of a frustrated married couple through various fragmented sequences and visual abstractions.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Sitni detalji\u00a0\/\u00a0Infimes D\u00e9tails \/ Minutiae<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2022 \/ 6\u2019 6\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Miljana Nikovi\u0107<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

www.miljananikovic.com<\/span><\/a><\/p>\n

Progresija od 122 re\u010di kroz njihov zvuk i zna\u010denje, uparenih sa 60 prona\u0111enih snimaka TV reklama iz 1950-ih. Svaki insert se pojavljuje dva puta kao d\u00e9j\u00e0-vu obrazac kognitivnih asocijacija izazivajuc\u0301i mno\u0161tvo emocija iz banalne svakodnevice, fle\u0161bekova ili pona\u0161anja i postepeno nas vodi od jednog odre\u0111enog osec\u0301anja ka njegovoj suprotnosti.<\/p>\n

Progression of 122 words through their sound and meaning, pared with 60 found footage clips from 1950s TV-commercials. Each of the inserts appears twice as a pattern of d\u00e9j\u00e0-vu cognitive associations, evoking a multitude of emotions from banal dailiness, flashbacks, or behaviors, slowly leading us from one particular feeling to its opposite.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Ti\u0161ina\u00a0\/\u00a0Silence<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

2023 \/ 2\u2019 51\u2019\u2019<\/p>\n

Re\u017eija i monta\u017ea \/\u00a0Directed and edited by<\/span><\/p>\n

Milan Milosavljevi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Akademski filmski centar DKSG<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

milan.milosavljevic@dksg.rs<\/span><\/a><\/p>\n

\u201eIstinski genije drhti zbog nepotpunosti \u2014 nesavr\u0161enosti \u2014 i radije \u0107e da \u0107uti nego da ka\u017ee ne\u0161to \u0161to nije sve \u0161to bi trebalo re\u0107i.\u201d Edgar Alan Po \u201eMarginalije\u201d<\/p>\n

The true genius shudders at incompleteness \u2014 imperfection \u2014 and usually prefers silence to saying the something which is not everything that should be said.<\/em>\u00a0Edgar Allan Poe, Marginalia<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

Selektori doma\u0107eg takmi\u010darskog programa\u00a0<\/span>70. Martovskog festivala:<\/strong><\/p>\n

Igor M. Toholj (filmski autor, producent i programer), Sa\u0161a Radojevi\u0107 (filmski kriti\u010dar, reditelj i scenarista) i Miroljub Stojanovi\u0107 (filmski kriti\u010dar, publicista i urednik)<\/span>.<\/strong><\/p>\n

Umetni\u010dki direktor Martovskog festivala:\u00a0Dejan Dabi\u0107<\/strong><\/p>\n

Martovski festival<\/a>\u00a0\u2013 70. Beogradski festival dokumentarnog i kratkometra\u017enog filma, stalna manifestacija u oblasti kulture od zna\u010daja za Grad Beograd, bi\u0107e odr\u017ean od 28. marta do 2. aprila 2023. godine u Domu omladine Beograda, koji je organizator i izvr\u0161ni producent\u00a0 doga\u0111aja.<\/strong><\/span><\/p>\n <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-800","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nSELEKCIJA EKSPERIMENTALNOG FILMA I VIDEO ARTA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2023.martovski.rs\/en\/selekcija-eksperimentalnog-filma-i-video-arta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SELEKCIJA EKSPERIMENTALNOG FILMA I VIDEO ARTA | Martovski festival\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2023.martovski.rs\/en\/selekcija-eksperimentalnog-filma-i-video-arta\/\" \/>\n<meta property=\"og:site_name\" content=\"Martovski festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MartovskiFestival\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T07:33:32+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"354\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"SELEKCIJA EKSPERIMENTALNOG FILMA I VIDEO ARTA | Martovski festival\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n<meta name=\"twitter:site\" content=\"@MartovskiF\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-eksperimentalnog-filma-i-video-arta\/\",\"url\":\"https:\/\/2023.martovski.rs\/selekcija-eksperimentalnog-filma-i-video-arta\/\",\"name\":\"SELEKCIJA EKSPERIMENTALNOG FILMA I VIDEO ARTA | Martovski festival\",\"isPartOf\":{\"@id\":\"https:\/\/2023.martovski.rs\/#website\"},\"datePublished\":\"2023-03-14T08:53:43+00:00\",\"dateModified\":\"2023-03-28T07:33:32+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-eksperimentalnog-filma-i-video-arta\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2023.martovski.rs\/selekcija-eksperimentalnog-filma-i-video-arta\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2023.martovski.rs\/selekcija-eksperimentalnog-filma-i-video-arta\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2023.martovski.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"SELEKCIJA EKSPERIMENTALNOG FILMA I VIDEO ARTA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2023.martovski.rs\/#website\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"name\":\"Martovski festival\",\"description\":\"70. 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