{"id":821,"date":"2023-03-14T13:01:04","date_gmt":"2023-03-14T13:01:04","guid":{"rendered":"https:\/\/martovski.rs\/?page_id=821"},"modified":"2023-03-28T07:37:16","modified_gmt":"2023-03-28T07:37:16","slug":"medunarodna-selekcija","status":"publish","type":"page","link":"https:\/\/2023.martovski.rs\/en\/medunarodna-selekcija\/","title":{"rendered":"International selection"},"content":{"rendered":"
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Predstavljamo program filmova iz me\u0111unarodne selekcije 70. Martovskog festivala, koji se takmi\u010de u kategoriji kratkog filma (dokumentarni, igrani, animirani i eksperimentalni).<\/h2>\n \n
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48 sati\u00a0\/\u00a048 Hours<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Iran \/\u00a0Iran<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 20\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Azadeh Moussavi<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Baran Kosari, Reza\u00a0 Akhlaghi Rad, Dorin Afsharian<\/span><\/strong><\/p>\n

Koprodukcija \/\u00a0Co-produced by<\/span><\/p>\n

Siamak Zarin<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

lightson@lightsonfilm.org<\/span><\/a><\/p>\n

Nakon tri godine zatvora Nader dobija odsustvo. Ima rok od 48 sati da postane otac svojoj \u010detvorogodi\u0161njoj c\u0301erki.<\/p>\n

After three years in prison, Nader is given a furlough to go home. He has 48 hours to become a father to his four years old daughter.<\/span><\/p>\n

Regional premiere<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Bekstvo\u00a0\/\u00a0Escape<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Argentina \/\u00a0Argentina<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 17\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Mar\u00eda Victoria Andino<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Noelia Vergini<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

julianaschwindt@gmail.com<\/span><\/a><\/p>\n

Klara je prvorotka koja ceo dan provodi sa svojom bebom. Jednoga dana njen pas pobegne i Klara u tome vidi svoju priliku.<\/p>\n

Clara is a first-time mother who spends all day with her baby. One day her pet dog runs away, and Clara finds an opportunity there.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Cve\u0107e na drugoj terasi\u00a0\/\u00a0Flores del otro Patio<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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\u0160vajcarska, Kolumbija \/\u00a0Switzerland, Colombia<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 15\u2032 20\u2033<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Jorge Cadena<\/span><\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Jorge Cadena, Li Aparicio Candama<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Eudes Rosado, Leon David Salazar, Rub\u00e9n Barrios, Saray Nohemi Rebolledo, Andru Suarez<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Yan Decoppet, Gabriela Bussmann<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

GoldenEggProduction<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

wouter@squareeyesfilm.com<\/span><\/a><\/p>\n

Na severu Kolumbije, grupa kvir aktivista kroz ekstravagantne performativne akcije osu\u0111uje katastrofalnu eksploataciju najvec\u0301eg rudnika uglja u zemlji.<\/p>\n

In the north of Colombia, a group of queer activists uses extravagant performative actions to denounce the disastrous exploitation by the country\u2019s largest coal mine.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Dok smo bili tu\u00a0\/\u00a0While We Were Here<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental<\/span><\/p>\n

2022 \/ 15\u2019 10\u2019\u2019<\/p>\n

Re\u017eija i produkcija \/\u00a0Directed and produced by<\/span><\/p>\n

Sun\u010dica Fradeli\u0107<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Sun\u010dica Fradeli\u0107, Damir Juri\u010di\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Dino Olivier, Petra Krolo, Jana Mato\u0161i\u0107, Slobodanka Novakovi\u0107, Zvonko Novakovi\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Kino klub Split<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

produkcija@kinoklubsplit.hr<\/span><\/a><\/p>\n

Meditativan sinematski prikaz neminovnih promena. Sa\u017eeto prikazani fragmenti \u017eivota likova, kroz leto i zimu, dok se svako od njih suo\u010dava s gubitkom.<\/p>\n

Cinematic meditation on inevitable changes. Briefly depicted fragments from the characters\u2019 lives, through summer and winter, as each of them suffers a loss.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Glava od cigle\u00a0\/\u00a0T\u00eate de brique \/ Brick Head<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Francuska \/\u00a0France<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 22\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Alexis Manenti<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Denis Muri\u0107, Ivana Ze\u010devi\u0107, Ilija Mar\u0161i\u0107evi\u0107, Uro\u0161 Gojkovi\u0107, Tatjana Ven\u010delovski<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Arnaud Bruttin, Val\u00e9ry Du Peloux<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Artisans du Film<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

festival@shortcuts.pro<\/span><\/a><\/p>\n

U jednom isto\u010dnoevropskom gradu, mladi vo\u0111a bande terori\u0161e kom\u0161iluk. Prisiljava ostalu decu da nose ciglu u znak pokornosti. Jednog dana, de\u010dak poni\u017een od strane tiranina odlu\u010duje da uzvrati.<\/p>\n

In an Eastern European town, a young gang leader is terrorizing his neighborhood. He forces everyone to carry a brick as a sign of submission. One day, an adolescent humiliated by the tyrant decides to fight back.<\/span><\/p>\n

Regional premiere<\/strong>\u00a0\/\u00a0Regional premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Kratka istorija nas\u00a0\/\u00a0A Brief History of Us<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Poljska \/\u00a0Poland<\/span><\/p>\n

Animirani \/\u00a0Animation<\/span><\/p>\n

2021 \/ 6\u2019 22\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Etgar Keret<\/span><\/strong><\/p>\n

Narator \/\u00a0Narrator<\/span><\/p>\n

Molly Ringwald<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Piotr Furmankiewicz, Mateusz Michalak, Hamutal Gur<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

festiwale@fumistudio.com<\/span><\/a><\/p>\n

Pri\u010da o dvoje ljudi koji su toliko dugo zajedno, da su skoro postali jedno bi\u0107e.<\/p>\n

The story is about a couple who have gone so long together that they almost became one.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Krezuba\u00a0\/\u00a0Toothless<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Poljska \/\u00a0Poland<\/span><\/p>\n

Animirani \/\u00a0Animation<\/span><\/p>\n

2021 \/ 12\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Andrea Guizar<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Agata Gola\u0144ska<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

The Polish National Film School in Lodz<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

marta.swietek@kff.com.pl<\/span><\/p>\n

Klara tokom sna ostaje bez jednog zuba. Progutaju je ogromna usta i ona ulazi u podzemni svet gde je nadrealna nau\u010dno-fantasti\u010dna reklama poziva u \u201eELEKTRODENT\u201c kliniku, koja obec\u0301ava da c\u0301e popraviti zube\u2026 ali to nije sve.<\/p>\n

Clara loses one tooth while sleeping. Swallowed by a gigantic mouth, she enters an underground world where a Surreal Sci Fi advertisement invites her to\u00a0ELECTRODENT<\/em>\u00a0a clinic that promises to fix teeth\u2026 but not only.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Kutija \/ \u0160katla \/ The Box<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Slovenija \/\u00a0Slovenia<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2023 \/ 20\u2019<\/p>\n

Re\u017eija i produkcija \/\u00a0Directed and produced by<\/span><\/p>\n

Toma\u017e Pavkovi\u010d<\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Marko Poga\u010dar, Toma\u017e Pavkovi\u0107<\/strong><\/p>\n

Kontakt \/ Contact<\/p>\n

pavkovict@yahoo.co.uk<\/a><\/p>\n

Kompletan materijal je u Jugoslaviji snimio otac re\u017eisera i podeljen je na dva dela. Prvi deo govori o dva brata i njihovom odrastanju i percepciji sveta oko sebe, a drugi prikazuje de\u0161avanja u dru\u0161tvu, industriji i masovnim okupljanjima. Naracija, koju je napisao hrvatski pesnik i pisac Marko Poga\u010dar, vodi nas kroz ovu lirsku pri\u010du o detinjstvu, odrastanju i kontekstu koji je odredio \u017eivot te generacije i koji danas pada u zaborav.<\/p>\n

The whole visual material was filmed by the director\u2019s father in Yugoslavia and is divided into two parts. The first part tells us about two brothers and their growing up and perception of the world around, and the second one shows events in society, industry and gatherings of people. The narration, written by Croatian poet and writer Marko Poga\u010dar, accompanies us through this lyrical story about childhood, coming-of-age and the context which influenced the life of that generation and is falling into oblivion today.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Manifest pre\u017eivljavanja – umetnost stvaranja rodbine \/ \u00dcberlebenden-Manifest \u2013 Die Kunst der Wahlfamilie \/ Survivor Manifesto \u2013 The Art of Making Kin<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Nema\u010dka \/\u00a0Germany<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental<\/span><\/p>\n

2022 \/ 11\u2019 14\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Dan Dansen<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Joshua Lerner, Zafira Vrba-Woodski, Dan Dansen<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Bikepunk Productions<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

info@bikepunkproductions.de<\/span><\/a><\/p>\n

\u0160ta ako bismo \u017eiveli u dru\u0161tvu u kojem bi oni koji su povredili i oni koji su bili povre\u0111eni mogli istovremeno da se izle\u010de? Ovo je video esej o pre\u017eivljavanju, u kojem osobe koje su pre\u017eivele traumu ma\u0161taju o utopijskom dru\u0161tvu.<\/p>\n

What if we lived in a society in which people who harmed and people who were harmed could heal simultaneously? This is a video essay on survivorhood in which trauma survivors cast a wild vision of a utopian society.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Na Kserksovom prestolu\u00a0\/\u00a0On Xerxes\u2019 Throne<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Gr\u010dka \/\u00a0Greece<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 15\u2032<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Evi Kalogiropoulou<\/span><\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Yorgos Teltzidis<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Yorgos Mazonakis, Angela Brousko, Myrto Kontoni<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Amanda Livanou<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Neda Film<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

wouter@squareeyesfilm.com<\/span><\/a><\/p>\n

Distopijsko radno okru\u017eenje u brodogradili\u0161tu Perama. Zabrana fizi\u010dkog kontakta pretvorila je ljudsku interakciju u natprirodne simulacije. Potiskivanje dodira otu\u0111ilo je komunikaciju radnika, pretvarajuc\u0301i brodogradili\u0161te u napeti prostor otu\u0111enja i potisnute senzualnosti izvan stereotipnih heteronormativnih \u017eelja. Prema lokalnoj legendi, persijski kralj Kserks je sa svog prestola na stenovitim vrhovima planine Egaleo, u dana\u0161njoj Perami, posmatrao poraz svoje flote.<\/p>\n

A dystopian workplace at the Perama shipyard. A ban on physical contact has turned human interaction into otherworldly simulations. The suppression of touch has alienated the worker\u2019s communication transforming the boatyard into a charged landscape of alienation and repressed sensuality beyond stereotypical heteronormative desires. According to local legend, the Persian King Xerxes watched the overwhelming defeat of his fleet from his throne on the rocky peaks of Mount Egaleo, in today\u2019s Perama.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Nisam stigao da je volim\u00a0\/ Nisam je stigao voljeti \/\u00a0I didn\u2019t make it to love her<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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\u0160panija, B&H, UK \/\u00a0Spain, B&H, UK<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 17\u2032<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Anna Fernandez De Paco<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Marko Toma\u0161, Marija Novakovi\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Anna Fernandez De Paco, Abbas Nokhasteh, Emina Gani\u0107<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Openvizor<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

anna@eyecollective.net<\/span><\/a><\/p>\n

Tekstovi bosanskohercegova\u010dkog pesnika Marka Toma\u0161a ispri\u010dani fotografijama. Marko i Maja sele se u novi stan u Sarajevu. Majina depresija pretvara Markovu borbu u poeziju i njegove pesme na radiju postaju poslednja nit komunikacije izme\u0111u njih dvoje.<\/p>\n

Through a photographic narrative, this film presents texts of Marko Toma\u0161, a poet from Bosnia and Herzegovina. Marko and Maja are moving flats in Sarajevo. Maja\u2019s depression turns Marko\u2019s struggle into poetry and, played on the radio, Marko\u2019s poems become the last bridge of communication between them.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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O kvadraturi kruga\u00a0\/\u00a0Ympyr\u00e4n neli\u00f6imisest\u00e4 \/ Square the Circle<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
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Finska \/\u00a0Finland<\/span><\/p>\n

Eksperimentalni \/\u00a0Eksperimental<\/span><\/p>\n

2023 \/ 17\u2019 26\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Hanna Hovitie<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Laura Kangasniemi<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Playart Productions<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

hannahovitie@gmail.com<\/span><\/a><\/p>\n

Krug je simbol beskona\u010dnosti, ve\u010dnosti, totaliteta i savr\u0161enstva.Ipak, savr\u0161en krug ne postoji. Ovo je film o kru\u017enom putovanju jedne osobe u (ne)poznati univerzum i u samog sebe, u potrazi za osec\u0301ajem pripadnosti. Izra\u010dunavanje \u201ekvadrature kruga\u201c je poku\u0161aj da se u\u010dini nemoguc\u0301e: da se pogleda u beskona\u010dnost, prihvati ve\u010dita prolaznost vremena, pre\u017eivi duga mra\u010dna zima na severnoj hemisferi ili da se na\u0111e svoje mesto tamo gde ne postoji uklapanje. Biti krug u svetu kvadrata.<\/p>\n

A circle symbolizes infinity, eternity, totality and perfection. And yet, a perfect circle doesn\u2019t exist. This is a little circular film about one person\u2019s round trip out to the (un)known universe and into themselves in search of a sense of belonging. To\u00a0square the circle<\/em>\u00a0is an attempt to do the impossible: look into infinity, accept the perpetual passing of time, survive a long dark winter in the Northern Hemisphere or find one\u2019s own place when you don\u2019t quite fit in. To be a circle in a world of squares.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Okamenjeni vrtovi\u00a0\/\u00a0Bah\u00e7eler Put Kesildi \/ Gardens Petrified<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Turska \/\u00a0Turkey<\/span><\/p>\n

Igrani \/ Fiction<\/p>\n

2022 \/ 20\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Ali Cabbar<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Beran Soysal, Y\u00fcksel \u00dcnal, Ezgi S\u00f6zmen, \u015e\u00fckr\u00fc \u015e\u0131k<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

taylanalicabbar@gmail.com<\/span><\/a><\/p>\n

Nakon o\u010deve smrti, Jusuf sti\u017eei u svoje selo u kom nije bio godinama i saznaje da geotermalna kompanija \u017eeli da kupi obradivo zemlji\u0161te njegovog oca radi bu\u0161enja bunara. Jusuf \u017eeli da re\u0161i probleme uz po\u0161tovanje uspomene na oca, ali stvari ne idu onako kako je o\u010dekivao i prinu\u0111en je da donese neke te\u0161ke odluke.<\/p>\n

After his father\u2019s death, Yusuf goes to his village, which he has not been to for years, and learns that a geothermal company wants to buy his father\u2019s agricultural lands and drill a well. He wants to solve problems without disrespecting his father\u2019s memory, but things don\u2019t go as he hoped and he has to make some tough decisions.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

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Pogreb \/ Sprovod \/ Funeral<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2021 \/ 20\u2032<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

\u0160imun \u0160itum<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Stojan Matavulj, \u0160imun \u0160itum, Marinko Prga, Zdeslav \u010coti\u0107<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Rea Raj\u010di\u0107<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Eclectica<\/span><\/strong><\/p>\n

Sun\u010dani prole\u0107ni dan u Splitu. Mariju je umro deda i svom ocu Brunu poma\u017ee pri obavljanju svih nezahvalnih zadatak koje sa sobom donosi smrt bliske osobe. Bruno ima neobi\u010dnu ideju o tome kako da sa\u010duva uspomenu na svog oca, koja se Mariju ba\u0161 i ne dopada.<\/p>\n

It\u2019s a sunny spring day in Split. Mario\u2019s granddad died, so he\u2019s helping his father Bruno sort out all the unpleasant procedural tasks that one needs to do following the death of a loved one. Bruno wants to preserve the memory of his father in an unusual way, but Mario isn\u2019t fond of his idea.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Posle \u0161kole\u00a0\/\u00a0Mardi Mercredi Agonie \/ After School<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Francuska \/\u00a0France<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2022 \/ 24\u2019 34\u2019\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Thomas de La Taille<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

communication@ateliersvaran.com<\/span><\/a><\/p>\n

U \u0161koli borli\u010dakih ve\u0161tina, mlade osobe neumorno treniraju. Gone svoja tela preko granica izdr\u017eljivosti, do iznemoglosti.<\/p>\n

In a combat school, young people train tirelessly. They push their bodies beyond the limits of their strength, until exhaustion.<\/span><\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Poslednje leto smaka sveta\u00a0\/\u00a0Ostatnie lato ko\u0144ca \u015bwiata \/ First Last Summer<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Poljska \/\u00a0Poland<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2021 \/ 25\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Nastazja Gonera<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Daniel Namiotko, Edyta Torhan, Juliusz Chrz\u0105stowski, Alex Freiheit<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Agata Gola\u0144ska<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

The Polish National Film School in Lodz<\/span><\/strong><\/p>\n

Priroda odumire, ekolo\u0161ka katastrofa je u punom zamahu. U tajnom vojnom centru negde na poljskoj obali mora, sprovodi se istra\u017eivanje o tehnologiji pretvaranja vi\u0161estrukih povratnika, do\u017eivotnih robija\u0161a u \u017eivotinje \u2013 u svrhu obnavljanja vrsta. Mladi radnik centra poku\u0161ava da oslobodi jednu od zatvorenica predvi\u0111enih za konverziju.<\/p>\n

Nature is dying out as an ecological catastrophe continues. In a secret military center, somewhere at the Polish seaside, research is being carried out on a technology of transforming recidivists with life sentences into animals \u2013 species rejuvenators. A young center employee attempts to free one of the female prisoners assigned for the conversion.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Potraga za neuhvatljivim\u00a0\/\u00a0Mrigatrishna \/ The Mirage<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Nepal \/\u00a0Nepal<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2021 \/ 26\u2032 30\u2033<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Santosh Dahal<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Prasanga Dahal, Sita Thapa, Lokendra Lekhak, Kristina Thapa<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Prem Prasad Adhikary, Nawa Nidhi Dahal, Deepa Guragain<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Simal Cinema<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

adhikaryprem@gmail.com<\/span><\/a><\/p>\n

Tokom gra\u0111anskog rata u unutra\u0161njosti Nepala, radoznali de\u010dak ide s majkom do kuc\u0301e svog strica. Na tom poetskom putovanju kroz izmaglicu veli\u010danstvenih planina, nailazi na razne ljude koji, svako na svoj na\u010din, te\u017ee ka osloba\u0111anju.<\/p>\n

During the period of civil war, in the countryside of Nepal, a curious boy follows his mother to his uncle\u2019s house. In this poetic journey through the mist of a majestic mountain backdrop, he witnesses various groups of people trying to pursue liberation in their own ways.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Povla\u010denje\u00a0\/\u00a0Retreat<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Severna Makedonija \/\u00a0North Macedonia<\/span><\/p>\n

Dokumentarni\u00a0 \/\u00a0Documentary<\/span><\/p>\n

2022 \/ 30\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Anabela Angelovska<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Danica Stanojkovska, Djordje Stanojkovski, Dejan Petkovski, Dr.med Mice Dudu\u010dki, Florim Prestreshi, Suzana Andonovic, Toni Nikolovski, Valentina Krstevska<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

info@retreat-documentary.de<\/span><\/a><\/p>\n

Vi\u0161e hiljada mladih Makedonki i Makedonaca regrutovano je za rad u kuhinjama i perionicama u ameri\u010dkim vojnim bazama u Avganistanu i Iraku. Vratili su se u domovinu nakon povla\u010denja ameri\u010dkih trupa iz tih zemalja 2021. godine. Sa sobom su doneli brzo zara\u0111en novac koji su ulo\u017eili u nekretnine, ali doneli su i traume.<\/p>\n

Thousands of young women and men have been recruited in North Macedonia to work in kitchens and laundries of US military bases in Afghanistan and Irak. With the withdrawal of the last US troops in 2021, they came back and brought with them quickly-earned money, soon invested in real-estate, but also traumatic memories.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Prigu\u0161eni sjaj zvezde\u00a0\/\u00a0\u9eef\u6de1\u661f \/ Dim Star<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Tajvan (Narodna Republika Kina) \/\u00a0Taiwan (People\u2019s Republic of China)<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 27\u2019 24\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Tianchen Li<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Ming-Yu LEE<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

ptsfestival@gmail.com<\/span><\/p>\n

Pri\u010da o \u017eeni koju iznenada pozivaju da se vrati ku\u0107i i brine o svojoj majci, taman kad je krenula da izvr\u0161i samoubistvo. Pro\u0161lost porodice postepeno izlazi na videlo kroz razotkrivanje detalja odnosa majke i c\u0301erke. Tokom popodneva u tihoj \u0161umi se de\u0161ava ne\u0161to neo\u010dekivano\u2026 Kao da je do\u0161lo do nekih suptilnih promena u odnosu majke i c\u0301erke, ali brzo se sve vrac\u0301a na staro.<\/p>\n

Film tells the story of a woman who is abruptly called back home to take care of her mother, interrupting her in the process of committing suicide. The family\u2019s past is gradually revealed through the revelation of the details about the relationship between the mother and daughter. Throughout the afternoon, something unexpected is happening quietly in the silent woods\u2026 The mother-daughter relationship seems to have undergone some subtle changes, but soon everything returns to normal.<\/span><\/p>\n

Evropska premijera<\/strong>\u00a0\/\u00a0European premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Prosine\u010dki\u00a0\/\u00a0Prosine\u010dki<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Irska \/\u00a0Ireland<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental<\/span><\/p>\n

2023 \/ 21\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Adrian Duncan<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Wendy Erskine<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

a@adrianduncan.eu<\/span><\/a><\/p>\n

Film ispri\u010dan iz centralnog kruga fudbalskog terena. Poetska analiza estetike fudbala.<\/p>\n

A film told from the centre circle of a football pitch. It is a poetic analysis of the aesthetics of football.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Pustinjska svetla\u00a0\/\u00a0Estrellas del Desierto \/ Desert Lights<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

\u010cile \/\u00a0Chile<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 18\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Katherina Harder<\/span><\/strong><\/p>\n

Scenario \/\u00a0Written by<\/span><\/p>\n

Rubens Ju\u00e1rez<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Basti\u00e1n Bravo, Luciano Gonz\u00e1lez, Josefa Aguilar, Catalina Saavedra , Lucas Marchant<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Selva Gonz\u00e1lez, Katherina Harder, Elliot Morfi<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Volcanica Films<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

info@promofest.org<\/span><\/a><\/p>\n

Usred pustinje Atakama, Antai (12) gleda kako njegov grad nestaje usled su\u0161e. Zajedno s drugovima i fudbalskim timom poku\u0161ac\u0301e da se dr\u017ei poslednjih sun\u010devih zraka, fragmenata detinjstva i veza sa onima koji i dalje pru\u017eaju otpor.<\/p>\n

In the middle of the Atacama desert, Antay (12) sees his town disappearing due to the drought. Alongside his friends and their football team, they will try to hang on to the last sunrays, their childhood fragments and the ties with those who still resist.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Recimo da sam bila usamljena\u00a0\/\u00a0Songe que j\u2019\u00e9tais solitaire \/ Consider I was lonely<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Francuska \/\u00a0France<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2022 \/ 36\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Mona Rossi<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Judith Burnett, Ysamalis Perez, Penelope Bell, Lehna Fonseca, Patricia Kessler, James Shuman<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Mona Rossi, Lucien Pin<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Film school La F\u00e9mis<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

mona.rossi@laposte.net<\/span><\/a><\/p>\n

\u201eO, D\u017eejni, godine su me pokrale. Oduzele su mi tebe.\u201c<\/p>\n

1877-1912. Stvarna i zami\u0161ljena prepiska izme\u0111u Kalamiti D\u017eejn, junakinje Divljeg Zapada, i D\u017eejni, njene \u0107erke koju je morala da ostavi.<\/p>\n

Oh Janey the years have robbed me. Yes, the years have robbed me of you.<\/em><\/p>\n

1877-1912. Real and imaginary correspondence between Calamity Jane, the Far West heroine, and Janey, the child she had to abandon.<\/p>\n

World premiere<\/strong>\u00a0\/\u00a0World premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Samo pravo\u00a0\/\u00a0Strada Diritta (La route droit devant) \/ Go Straight<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Francuska \/\u00a0France<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2022 \/ 27\u2019<\/p>\n

Re\u017eija \/\u00a0Directed by<\/span><\/p>\n

Chjara Fabiani<\/span><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production Company<\/span><\/p>\n

Ateliers Varan<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

communication@ateliersvaran.com<\/span><\/a><\/p>\n

Feliks mora da ide ku\u0107i, s nanogicom\u2026 Ali njegova du\u0161a je ve\u0107 slobodna, s rado\u0161\u0107u ide ka budu\u0107nosti, svom narodu i svojoj domovini.<\/p>\n

Felix must go home, an electronic bracelet surrounds his ankle\u2026 But his heart is already free, looking forward to the future, his people and his land.<\/span><\/p>\n

Internacionalna premijera<\/strong> \/\u00a0International premere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Sne\u017eana\u00a0\/\u00a0Snjeguljica \/ Snow White<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Hrvatska \/\u00a0Croatia<\/span><\/p>\n

Igrani \/\u00a0Fiction<\/span><\/p>\n

2022 \/ 14\u2019 40\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Lana Bari\u0107<\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Lana Bari\u0107, Nik\u0161a Butijer<\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Vinko Bre\u0161an<\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Zagreb film<\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

lanabaric@gmail.com<\/span><\/a><\/p>\n

\u017deljka ima 40 godina i \u017eivi mirno u izolovanom selu. Neo\u010dekivana poseta \u0107e je vratiti u pro\u0161lost i uzdrmati njenu svakodnevnu rutinu.<\/p>\n

\u017deljka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

Tri sestre\u00a0\/\u00a0Se Khahar \/ Three Sisters<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Iran \/\u00a0Iran<\/span><\/p>\n

Dokumentarni \/\u00a0Documentary<\/span><\/p>\n

2022 \/ 12\u2019 13\u2019\u2019<\/p>\n

Scenario, re\u017eija i produkcija \/\u00a0Written, directed and produced by<\/span><\/p>\n

Iman Behrouzi<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

iman_behrouzi@yahoo.com<\/a>\u00a0<\/span><\/p>\n

Meditativna simfonija o gradu i smrti. Autor se vrac\u0301a na mesta gde je pre 18 godina snimio film o samoubistvu. Sada, na prepunim ulicama Teherana i u zapu\u0161tenim delovima grada okru\u017eenim zidovima, on traga za uzrocima koji su naveli tri sestre da zajedno okon\u010daju svoje \u017eivote.<\/p>\n

A meditative symphony on the city and death. The filmmaker returns to places where he, 18 years earlier, had made a film about suicide. Now, in the crowded streets of Tehran and in the city\u2019s rundown corners with flanked walls, he searches for the reasons that had led three sisters to end their lives together.<\/span><\/p>\n

Balkanska premijera<\/strong> \/\u00a0Balkan premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

\n

XAR<\/span> \u2013 San opsidijana\u00a0\/\u00a0XAR \u2013 Sue\u00f1o de Obsidiana \/ XAR \u2013 Obsidian Dream<\/span><\/h3>\n \n \n
\n \"\"\n <\/div>\n \n \n
\n \n

Brazil \/\u00a0Brasil<\/span><\/p>\n

Eksperimentalni \/\u00a0Experimental<\/span><\/p>\n

2022 \/ 13\u2019 13\u2019\u2019<\/p>\n

Scenario i re\u017eija \/\u00a0Written and directed by<\/span><\/p>\n

Fernando Pereira dos Santos, Edgar Calel<\/span><\/strong><\/p>\n

Uloge \/\u00a0Cast<\/span><\/p>\n

Edgar Calel, Fernando Pereira dos Santos<\/span><\/strong><\/p>\n

Produkcija \/\u00a0Produced by<\/span><\/p>\n

Fernando Pereira dos Santos<\/span><\/strong><\/p>\n

Produkcijska ku\u0107a \/\u00a0Production company<\/span><\/p>\n

Sendero Filmes<\/span><\/strong><\/p>\n

Kontakt \/\u00a0Contact<\/span><\/p>\n

fer.cine.pereira@gmail.com<\/span><\/a><\/p>\n

Bude\u0107i se iz sna predaka, Edgar Kalel, pripadnik naroda Maja, izvodi umetni\u010dki ritual na Bijenalu u Sao Paulu. Izme\u0111u te\u017enji i sec\u0301anja, njegovo duhovno putovanje c\u0301e ga dovesti do toga da se pove\u017ee sa svojom \u017eivotinjom moc\u0301i.<\/p>\n

Awakening from an ancestral dream, the young Maya Edgar Calel performs an artistic ritual at the S\u00e3o Paulo Biennial. Between aspirations and memories, his spiritual journey will lead him to be incorporated into his power animal.<\/span><\/p>\n

Serbian premiere<\/strong>\u00a0\/\u00a0Serbian premiere<\/span><\/p>\n \n \n <\/div>\n <\/div>\n\n\n

Selektori me\u0111unarodnog takmi\u010darskog programa\u00a0<\/span>70. Martovskog festivala:<\/strong><\/p>\n

<\/span>Borjana Gakovi\u0107 (filmska istori\u010darka, teoreti\u010darka i programerka iz Nema\u010dke), Dragan Nikoli\u0107 (filmski reditelj, scenarista i urednik filmskog programa Doma omladine Beograda) i Dejan Dabi\u0107 (umetni\u010dki direktor 70. Martovskog festivala).<\/span>
\n<\/strong><\/p>\n

Umetni\u010dki direktor Martovskog festivala:\u00a0Dejan Dabi\u0107<\/strong><\/p>\n

Martovski festival<\/a>\u00a0\u2013 70. Beogradski festival dokumentarnog i kratkometra\u017enog filma, stalna manifestacija u oblasti kulture od zna\u010daja za Grad Beograd, bi\u0107e odr\u017ean od 28. marta do 2. aprila 2023. godine u Domu omladine Beograda, koji je organizator i izvr\u0161ni producent\u00a0 doga\u0111aja.<\/strong><\/span><\/p>\n <\/div>\n <\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-821","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nME\u0110UNARODNA SELEKCIJA | Martovski festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/2023.martovski.rs\/en\/medunarodna-selekcija\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ME\u0110UNARODNA SELEKCIJA | Martovski festival\" \/>\n<meta property=\"og:url\" content=\"https:\/\/2023.martovski.rs\/en\/medunarodna-selekcija\/\" \/>\n<meta property=\"og:site_name\" content=\"Martovski festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MartovskiFestival\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T07:37:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n\t<meta property=\"og:image:width\" content=\"680\" \/>\n\t<meta property=\"og:image:height\" content=\"354\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"ME\u0110UNARODNA SELEKCIJA | Martovski festival\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/2023.martovski.rs\/wp-content\/uploads\/2023\/03\/Share-Martovski.png\" \/>\n<meta name=\"twitter:site\" content=\"@MartovskiF\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/2023.martovski.rs\/medunarodna-selekcija\/\",\"url\":\"https:\/\/2023.martovski.rs\/medunarodna-selekcija\/\",\"name\":\"ME\u0110UNARODNA SELEKCIJA | Martovski festival\",\"isPartOf\":{\"@id\":\"https:\/\/2023.martovski.rs\/#website\"},\"datePublished\":\"2023-03-14T13:01:04+00:00\",\"dateModified\":\"2023-03-28T07:37:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/2023.martovski.rs\/medunarodna-selekcija\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/2023.martovski.rs\/medunarodna-selekcija\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/2023.martovski.rs\/medunarodna-selekcija\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/2023.martovski.rs\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"ME\u0110UNARODNA SELEKCIJA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/2023.martovski.rs\/#website\",\"url\":\"https:\/\/2023.martovski.rs\/\",\"name\":\"Martovski festival\",\"description\":\"70. 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